As in the Feroz, as in the Goya, as almost in the Oscars, Pedro Almodóvar was chosen again. His latest work, ' Dolor y gloria' , won six Platinum Awards for Ibero-American Cinema, which, if no one remedies it, are the last to be awarded. Not because they disappear, but because after them there are no more. Not because prizes of any kind are never going to be awarded again, but because the following are already for films released in 2020. And so on. That everything must be explained.

The most important, so to speak, were his, from La Mancha. This year, pandemic through, the traditional gala was replaced by an emotional, brief and even nice act via YouTube. There were no musical numbers or jokes or pretended crying ... A real pleasure . What if from now on all deliveries are made through this system? It would be too pretty.

Thus, the story of the film director Salvador Mallo (Antonio Banderas), which is also the story of Pedro Almodóvar and of all the film directors and of all the narrators, was made with the statuettes that point to the film, the direction, the script, the music (Alberto Iglesias), the editing (Teresa Font) and the leading actor (inevitable Banderas). That is, Almodóvar 3, his movie six. That is, half a dozen of the ten possible. Only the photograph escaped him, which was for Jasper Wolf, from the Colombian film ' Monos' , by Alejandro Landes; the artistic direction that Juan Pedro de Gaspar took away for 'As long as the war lasts' , by Alejandro Amenábar; the sound, for which Lena Esquenazi was recognized , also for ' Monos ', and the award that points to the Ibero-American actress of the year that fell into the hands of Carol Duarte , for ' The invisible life of Eurídice Gusmao', by Karim Aïnouz.

For the rest, mention that ' Buñuel in the labyrinth of the ants' , by Salvador Simó , completed his virtuous cycle and was the best animated film. That and that 'La casa de papel', by Álex Pina, devastated in its own way as best series, best supporting actress, Alba Flores, and best protagonist, Álvaro Morte.

I mean, all too Spanish. Too much Almodóvar.

According to the criteria of The Trust Project

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