30 years ago, ' Cinema Paradiso' won more than just an Oscar. Giuseppe Tornatore (Bagheria, Sicily, 1956), its director, turned his memory into a melodrama as meticulously evident as it was irresistible. Very close to guilty pleasure , the film keeps intact the grace of octosyllables with an assonance rhyme in even lines; a kind of popular romancein which the most elemental love of the dark room, of cinema, is mixed with the very matter of memory. What matters is the dust accumulated in the beam of light that comes from the projector towards God knows what a strange place: the heart, the dream, the desire ... With the quarantine completed, the story of Toto, which is nothing more than the history of all, returns to the screens (150 in all Spain) and Tornatore, from Rome, can not but augur , if he says, a good return. Where? To the cinema, to life.
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