China News Agency, Beijing, June 22 (Reporter Ying Ni) Once launched, it became an explosion. This grand occasion is continued in the third season of "If the National Treasure Talks".
On Bilibili and Douban, which are popular among young people, the third season of "If the National Treasure Talks" received super high scores of 9.9 and 9.5 respectively, and the number of readings on Weibo related topics reached 600 million. Netizens sigh: more than exquisite, more than amazing...
Short and powerful young people
As a 100-episode documentary of the National Conservation Project created by Chinese officials, "If the National Treasure Talks" tells a story of a national treasure in 5 minutes per episode, it has now aired 75 episodes in three seasons.
Short and sophisticated, adapting to the fragmented reading in the era of network communication This is the biggest feature of "If the National Treasure Can Talk", it is further promoted in the third season. Animation effects and moments of national treasures "burning, sprouting" excavated by high-tech technology are in line with the posters, promotional films and expression packages of the online generation's aesthetic... These expressions are in line with the style, taste and interest of the network, attracting many cultural relics Young gaze.
In the presentation of Luoshen Futu, "Lanting Pavilion", the Dragon Dragon, Dunhuang frescoes, Qingzhou Buddha statues, Yungang Tanji Five Caves and other classic art works, the production team used macro shooting, animation restoration, 360-degree panoramic shooting and other means. So that the audience can appreciate the richer details of cultural relics and feel the more vivid years of circulation.
For example, the big data algorithm simulates the authentic calligraphy, reproduces the scene created by Wang Xizhi, and takes the audience to the "Huihe Nine Years" in Huiji Mountain. Qunxian Yaji, Wang Xizhi's subtlety, wherever he is happy, mention the pen for preface. Sunlight was scattered on the paper through the tree shadow, and the breeze floated. The whole writing process was accompanied by the words and expressions in his heart, and the words flowed with the thoughts, flowing and solidifying.
Another example is the dramatic representation of the Astana figurines and documents in the Tang Dynasty. Civilian Guo Lushi appeared on the scene, bringing the audience back to Gaochang County, Xizhou in the early Tang Dynasty, to reproduce an economic dispute between Cao Erlang and Li San, and the masses who "eat melons" watched on high profile. The script of this one-act play is exactly from the Turfan unearthed document in "The Manuscript of Xi'an, Xi'an, Gao'an County, Tangxi State, where the interrogation of Cao Lushan v. Li Shaojin was recorded."
The connection with contemporary young people is most clearly reflected in the commentary of the maid figurines of the Tang Dynasty. "The fat girl after 1000 years is like me, and I was really envious, jealous, and love to see you at that time." "As a fat girl who is struggling to lose weight every day, I dreamed of living in Datang, but then I learned: early Tang is not fat, late Tang is bloated, and even the Tang Dynasty is not all fat, and there are also slim girlfriends around you. It was just that when I was confident, then I was free, then I was free and beautiful when I wanted to be fat. "
Zhang Tongdao, director of Beijing Normal University's Documentary Film Center, believes that the commendable new cultural and creative thinking in the film subtlely influences the identity and cultural self-confidence of the young audience.
Select cultural relics with the concept of "Chinese Civilization Video Index"
Some audiences likened "If the National Treasure Can Talk" to a "vivid and interesting history lesson": 100 national treasures that condensed the wisdom of the times, were sorted in chronological order, from small to large, with points and faces, reflecting the style of the times, and connecting Start the development of Chinese civilization. General Director Xu Huan introduced that the production team adheres to the concept of "Chinese Civilization Video Index" and chooses the display objects from all aspects of social life.
It is also based on this. In the third season, there are gilt and silver pots on trade, twelve zodiac signs on the astronomical calendar, Astana figurines and documents on the construction of the rule of law, the Yellow River iron bull on the construction of infrastructure, and the humanistic spirit. The brick paintings of the seven sages in the bamboo forest..."Although these cultural relics each represent the highest level in a certain field of that era, they are not limited to a certain field. The exchange of civilizations and mutual learning will also leave an aesthetic space on certain practical objects. ; And some exquisite utensils also have excellent practical functions." Xu Huan said.
The 25 national treasures from the Wei, Jin, Southern and Northern Dynasties to the Sui and Tang Dynasties covered calligraphy, painting, murals, portrait bricks, sculptures, statues, gold and silver wares, weapons, documents, etc., and displayed the skills, aesthetics, Culture and lifestyle. Each cultural relic serves as the coordinates of an era, marking the traces of the Chinese civilization walking in the historical time and space.
The Luoshen Futu, "Lanting Preface" and the Dragon Dragon represent the rise of human thought and the emergence of individual consciousness during the Southern and Northern Dynasties; Dunhuang and Qingzhou, one is the cultural core of the Silk Road, and the other is the testimony of the radiation range of the eastern end of the mainland; Zhao Ling Liujun is a magnificent epic poem in the Tang Dynasty. The third season observes these ancient cultural relics from the perspective of civilization, showing that the cultural relics are not only the cultural heritage of the Chinese nation, but also placed under the grand background of the change of the destiny of all mankind.
Xu Huan hopes that "If the National Treasure Can Talk", on the one hand, expresses the breadth of the Chinese civilization in a way that has hundreds of rivers on the other hand, on the other hand, it shows an in-depth knowledge point through the short length of 5 minutes per episode, thereby linking history and reality , Civilization and education, cultural relics and video, museums and tourism, to achieve the purpose of "cultivating people with beauty and culture".
As stated in the film, "Because of these forms, and the images, knowledge, experience, attitude, beauty and elegance, caring and sorrow that these forms constitute, they have been integrated into the blood of the Chinese and cast into the bone marrow of the Chinese-they are Us." (End)