Throughout the holy month, drama stars compete in the Arab world, not only in providing the most important artistic roles, but also in the stakes of difference and diversity in attracting fans of the silver screen and drama lovers every year, at a time when domestic isolation was imposed, due to the spread of the Corona virus. The new, for the first time, exceptional follow-up circumstances, will direct attention and demand towards Arab drama in particular, to multiply the views of all the competing works this year, which we stand today on its most prominent features, and its most unique and personal artistic characters.
After years of absence from drama and the silver screen in general, the able Syrian star, Haifa Wasef, renews her reign this year to meet her fans and followers of her TV successes, through her distinguished participation in the series "The Silk Market", which is included in the dramas that deal with the traditional Levantine environment. In the framework of "Fantasy" again, it is based more on imagination rather than on documenting references to events, and on virtual images of the old Damascene society between the end of the Ottoman occupation and the entry of French colonialism into the country, which is best presented to the screen, the director, Bassam Al Mulla, who presents this world Or the idea of the new work, in cooperation with his brother Moamen Al-Mulla, with the distinguished participation of the stars of the Syrian drama, led by: Bassam Kousa, Salloum Haddad, Karis Bashar, Abdul-Hadi Al-Sabbagh, Nadine Tahseen Bey and Wafa Moussalli, and other actors who excelled before in performing these types of roles that depend on the environment Ancient Levant, the main engine of the folk tale network supposed.
Hidden secrets
There is no doubt that Wasef's appearance, despite all the reservations that the series has on some of his dramatic treatments, is balanced and effective in the movement of events, which is an obvious thing that can be observed since the launch of the first scenes of the new Ramadan work, in which (Umm Abdullah) hides the birth order of (Subhia) the first wife For her son (Imran), and claiming that his second wife (Karima) had given birth to twins, in an attempt to care for the first child and relief him from the inevitable fate of the orphan, after the "Daya" were forced to commit to keeping the hidden secret hidden and not knowing anyone, despite the urgency of her son's wife (Karima) persistent and her wild desire to distinguish between her real son A child who was forced to build.
As for the game of leadership and control over her human wounds and lost motherhood, Haifa Wasef, with her expressive tools, experience and experience, refined by her long experience in the theater, which spanned nearly 50 years, succeeded in presenting the character (Umm Abdullah), which appears in the apparent The matter is solid, strong and rational, but it bears the pain of losing her son (Abdullah), who coincided at the beginning of the work with the French bombing of Damascus in 1945, and his return to his hometown of a young man after a series of painful events that rocked him, the most important of which was the killing of his wife His loss of all his possessions, and a series of other exciting surprises, from Al Are waiting to reveal her recent episodes of the new work, led by personal pivotal work (Um Abdullah), well secrets, and her son return after the absence, (Abdullah) nicknamed (strange).
Golden period
The sixties and seventies of the last century witnessed the golden period of the activity of the Syrian star Haifa Wasef, who participated in more than 50 theatrical acts with the top stars of the Syrian theater at the time, before she married the Syrian star Mahmoud Jabr in 1965, and she participates in a number of television works in Syria mid The sixties, and it was decided to retire the artwork for a period of 15 years, the star devoted itself to raising her children, before returning to the silver screen in the eighties, through several posts in the series: "The Doctor", "Warm Hearts", "Camel", and "The Houbara Dance" In 1999, along with her late husband Mahmoud Jabr and her two daughters, Leila and Marah. She also had distinguished contributions in the theatrical and television works of Duraid Lahham, including the play "Cask Ya Watan" in 1977, the play "The Rainmaker", and the play "The Little Bird" in 1992, and also participated in the series "Wadi Al-Musk" in 1982, and the series " Dreams of his parents here in 1996.
As for the well-known works of the Levant in the Syrian drama, the audience got acquainted with it in the series "Ayam Shamiya", the series "Layali Al-Salihiya", and the series "Jir Al-Shawish" directed by Hisham Sharbatji in 2007.
The star married Mahmoud Jabr in 1965, participated in a number of works in the mid-sixties, then retired from art for 15 years to raise her children.