The teaser of the series "The End", by Egyptian artist Youssef El Sharif, made a great noise and controversy, as soon as it was presented on social media platforms, and classifies the work as the first science fiction series in the Arab world, and it is going on in a virtual world in a period that we have not yet lived in, which is the year 2121, where wars Electronic and the wars of the fourth generation, and spinning ads appeared, spacecraft, sophisticated clothes, and imagination that had not been previously answered on Arab drama, which caused a very big sensation, especially as the series talks about the end of the world because of electronic wars in 2121, despite many pessimistic predictions, which assume the end of The world as a result of epidemics Lethal during a very close era.
Immediately after the serial teaser was released, social networking sites and search indicators are published in Google, and many stars of the artistic community in Egypt and the Arab world praised the idea of work and modernity of implementation, which used modern technologies that did not appear in any other work, and among the stars who praised the work of the Syrian artist Qusai Khouli, who posted pages on the Story feature on his official page on "Instagram" accompanied by the entire teaser, and said: "I cannot deny my admiration and admiration for an unprecedented series in the Middle East. Judgment early, but I cannot To hide my dazzle, especially since it is the first experience that dares and presents an Arab action that approaches the global industry. Indeed, the drama is an industry and a tribute to the creators and audacity of everyone who thought about this work. ”
Artist Mohamed Heneidy also praised the work, and congratulated its hero Youssef El Sharif, as well as the artist Mohamed Emam and some famous soccer players. It is mentioned that the series “The End” is the idea of Youssef El Sharif, a script and dialogue by Amr Samir Atef, directed by Yasser Samy, and produced by a company
The author of the series denied the existence of any similarity or quotation between the series and any international work.