In the best of worlds , Leonard Bernstein's opera would be a constantly satirical classic. But as powerful as his West Side Story is not Candide from 1956 after Voltaire's famous little book from 1759. The Royal Opera is investing in a new operetta success after the success of Glada the widow three years ago. Same director (Ole Anton Tandberg), same soprano (Elin Rombo) and baritone (Jeremy Carpenter). As well as the fine tenor Joel Annmo in the title role.
Plus a rarely seen lineup of dopey costumes, gossipy scenographies and an opera chorus that shows unparalleled choreographic talent. A reasonable act, on the other hand, is not given - but it is already missing in Voltaire's peer-reviewed novel.
What Bernstein and his sharp copywriter - Lilian Hellman! Dorothy Parker! - instead achieved an ironic satire on not only Voltaire, but their contemporary American fifties. Against the optimistic optimism, against the repressive McCarthyism. Here are references and jokes that pass us by. This is what Tandberg & co knows, hence the senseless wasting scenic spectacle that has been taken from comic books and fairy tales. A delicious quick look at the sight, just like the first taste of a huge bag of candy.
Among all the empty calories are effective drops, which the horny carrots Candide encounters in Eldorado on their walk in the worst of worlds. And Miriam Treichl's great aunt storyteller is just her worth the visit. But then it won't be much more, despite the fine artists. Elin Rombo delivers a sharp Glitter and Be Gay, the operetta's famous but only showstopper. For Bernstein's score is not as fun as it sounds. And the Hov Chapel does not make it swing.