JAVIER BLÁNQUEZ
Updated Tuesday, 12 November 2019 - 22:46
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If we could listen to radioactivity, what would it sound like? What textures and which notes would be most appropriate to mean that an imperceptible and deadly poison floats in the air? When Hildur Guðnadóttir was commissioned to write the music for the Chernobyl series (HBO, 2019) , this was the first question that was asked and, once he knew that it was the crucial question - that is, that the true protagonist of the plot it is not the explosion of the nuclear reactor, nor the catastrophe itself, but
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