He was the author of the Guignols, currently plays at the Parisian stage theater, but the artist had a trajectory for the less adventurous he described dotted at the microphone of Isabelle Morizet.

INTERVIEW

Teen, Bruno Gaccio did not know what he wanted to do with his life. Before writing and becoming an actor, the one who plays from 3 October to 31 December the play Garlic Pasta at the Paris Theater, had a fantastic journey of which he lifted some sections of sailing in the show There is not just one life in life .

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The story begins in a rather banal way, by a disenchantment with school. "I did not hate school, I hated teachers" with two exceptions, he says. Reason why he "leaves school very early", around 16, and returns as "apprentice typographer in a printing house" next to Saint-Etienne. But the morning sunrise and the cold journey are the reason for this first job. "I said, 'I do not want to get up in the morning anymore' and that's what inspired me," says the artist.

From dealer to goat keeper

But the rest of his career is less ordinary, much more adventurous, even downright dangerous. He goes into a dealer and sees that the traffic pays "more than an employer" printer. He is then intoxicated by the money and the girls who come to buy shit. "Except it lasts three months like that and other people are coming, who are selling coke, heroin." After taking a step back, he stops everything. "First of all, everyone was arrested, they did not denounce me, it was in 1976, 1977, something like that and I went to go keep goats in the Drome," he said. he.

Goatherd in love with a prostitute

The journey, already explosive, is not finished yet. After the goat episode, he goes to winter sports where he meets a girl and follow her. "She was a prostitute!" I also did a snack (pimp, ed), suddenly! ", He announces, almost surprised himself as he recollects the memories.

Atypical experiments that have certainly given him enough experience and confidence to try out on TV or in the theater. Remains that with the theater, it satisfies his imperative of departure, that of not rising at dawn: "The theater, I finish at 11am (evening), I can hang out until two in the morning, but I I can sleep all morning, I get up when I'm no longer sleepy, "he concludes this story that could have ended worse.