Why do we watch a film that does not surprise us? What makes a film based on cliches? Of course he is bankrupt. Crawl combines three popular film categories: survival drama, struggle for survival, and horror story mixed with a disaster story.
The disaster is a hurricane that caused flooding in a city in Florida, Florida. The floods flooded a residential neighborhood or perhaps an isolated house, the important thing is that they brought crocodiles swimming around a house. Then we have Healy (Kaya Skodelario), who ignores evacuation orders to search for her missing father Dave (Barry Bieber). After finding him seriously injured in the family's home, the two discover they are in a water trap.
The storm intensifies and the two find themselves facing a greater threat of water, a huge crocodile attack. This is the whole story of the 80-minute film that was unheard of and entered the local movie theaters infiltrating Spiderman last week and Lion King next week, as if looking for a release date away from the giants of the summer and found himself among Disney's freaks!
It is not a skill to see the heroine of the film participate in swimming competitions in the beginning, and her father, her former coach is about floods originally, and then see her make way in her home swimming before her father tells her that every athlete suffers a temporary setback in his career! Then another film says an encouraging phrase: Yes, you can do it! Then the heroine raced swimming in the flood waters!
This is not surprising in anything, and only addresses the minds of fools at this time. He was an ingenuity in the 1990s and earlier, but today is only fit to compete in the worst-case scenario. Should a person participate in swimming competitions to swim in flood waters!
Why does the crocodile bite Dave's hand and cut off Hely's hand and not cut it off? Are our minds so naive and absurd to accept this? Yes she is the heroine but there is no need for the scene mainly, if the writer or director are not bold enough to surprise us. Surprised me I will care, but if the events of the film before our eyes even before the occurrence, why care?
Let the crocodile hand Hili and cut it, but cut off her foot and then bite him with a branch or a knife in his eye, for example! This is a real conflict drama! Why do I care about heroine always survive and never Ttvoh only words transferred from the books of self development? Yes I am able to! Or "Come here, you villain" in defiance of the crocodile.
In any conflict, if a party is stronger than the other, this is not a struggle, but a boring confrontation! The conflict is strategic, strategic, psychological warfare, strengths and weaknesses. Hely's strength point is that she's a champion! The point of weakness is purely psychological! Crocodile strength point that he eats humans! His weakness is that he is without a mind. A clever creature against another is not equivalent to intelligence, only a danger that the smart party can successfully avoid in the 80 minutes!
The conflict or the crisis becomes more fun when team members disagree on fateful matters, agreeing on side-by-side and not vice versa. In "Karol" father and daughter disagreed on their ability to swim and agreed on how to eliminate the crocodile! Despite the ludicrousness of Anaconda 1997, his pleasure was in the character of John Voight, who wanted to protect Cobra from murder against the will of a whole team! Here is the fun of conflict.
The conflict or the crisis is fun, when the roles are distributed among all the parties, even if they are few. In this film, the father is there to mourn Alma, and to say to his daughter, "You can do it." They are there to swim. They have a dog named Sugar. To the list of dogs that have survived in all disaster films since Twister, Independence Day and Volcano!
In any conflict or crisis all the focus is on survival and neutralization of danger. The human body releases the adrenaline hormone in moments of panic. There is no time for emotions or remorse or remembering moments of the past and thresholds with sad music in the background. ! Or of course if the struggle against crocodiles was an excuse to fix the relationship between a divorced father and his daughter!
Alexander Aga is not new to these films. In the past decade, he has been famous for Pirana, Hill Eyes, Mirrors and Centuries, and he does not seem to want to try something new unless the novelty is to move from shark to crocodile ! But it appears that his point of power at the end of the film in just one month!
In the last decades, a series of cheap crocodile films was released, the most important of which was Alligator in 1979. These were the days before the independent film revolution when a horror film like that was a poetic poem! The difference between yesterday and today is that yesterday when you see a movie thriller about people trying to escape the anger of nature, despite the surface of the characters, they are the focus of the film. That's why the film is still very popular with the audience, especially in terms of text.
Today, although horror films and disasters have returned to the basics, attention is focused on the logistical elements rather than the characters: the lighting and the storm made with special effects and the camera is angled in the corners to give the claustrophobia effect (the fear of narrow spaces) and the basement submerged in water.
There is the possibility that Aga was enjoying his time and laughing while filming the film, because he knows that the text in his hands is nothing but nonsense, and it is clear that the actors are very serious, inconsistent with the text of your knees and atmosphere hardly any suspense. Final Judgment: If you want to watch a poor version of "The Predator" ... enter this movie.
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This is not surprising in anything, and only addresses the minds of fools at this time. It was a skill in the nineties and earlier, but today is only fit to compete in the worst-scene competition.
There is a possibility that Aga was enjoying his time and laughing while filming, because he knows that the text in his hands is nothing but nonsense.