After a long-lived visual experience, the resident Syrian artist Muhannad Orabi decided to turn the faces and birds in his paintings into pieces of jewelry, and he set out their features with gold and diamonds. Orabi chose vocabulary from his paintings, especially the circular face with the eye, which is conspicuously painted, and presented with a design that takes two forms. Either it is on a pearl background, or gold is too dark to take the skin color as a background. Explore another dimension in technical drafting.

"The idea of ​​turning paintings into jewelry is not new. It has been implemented by international artists in the past, and because my work has a special identity. There are certain words I deal with in the painting, like the face, the bird, "I wanted to give my wife a special piece, and here I started looking for a jeweler who was modeling the piece for me, because I needed a third party that I could present the idea with Actually, I also went into extra fun, searching a lot about how to turn the anchovy anchovy "This is a time-consuming experiment, and there is an initial stage before the start of implementation and the exploration of a new world and different tools. There is also anticipation and anticipation," he said. And a surprise, in addition to the fun to convert the Ascetic to the dimensions of the trio », explaining that he deliberately to be the first pieces linked to the face directly, so that people connect with the paintings.

He put the pictures of jewelry pieces on his special platforms on social media, to test the views of the public, noting that it attracted a lot of people, and began to receive requests for pieces that are implemented on demand, and need the piece to approximately 10 days to be ready, A group of companies have asked for the production of the pieces and are still dealing with the new project with some explanation.

Orabi is considered a part of his artlessness. He painted a plate on a jacket and presented circular paintings on a canvas, along with paintings that were pasted on wood after being cut, or attached to the wall without being installed. On the wood, in addition to the iron unloaded, and stressed that the new way of life, and all means of social communication, brought great attention to the artist and his works and paintings, and the place where he paints, and this makes him always presents himself in a different and always renewed.

The selection of faces and vocabulary of jewelry was based on the criteria in the painting, he did not choose a particular panel, but he adopted the vocabulary in the work, as well as technical additions in the implementation, and pointed out that the idea was very enjoyable, and granted himself the right to convert from just An idea of ​​something actually going out into the light, but not yet sure of continuing to produce more pieces, or just this group.

The versatility of experimentation is sufficient, along with the pleasure of smashing and reconstructing the stereotype, emphasizing that the painting is the main carrier of his experience and the memory of people with it. He stressed that even with experimentation, He pointed out that the desert in the UAE encouraged him to use different sand colors, and that he was able to use the different colors of sand. , And placed within the work of art, which is considered by c Part of the relationship development with the place.

On the category to be attracted to jewelry, Orabi said that lovers of excellence will love the pieces because the pieces that will be designed do not have many copies. "Although women often buy the brand name widely available in the market, "Even when he sells the painting he insists on buying it to build a relationship with it," he said. "Because when he walks at night, it will be different from seeing her in the evening or the morning. Jewelry to people associated with the painting ».

Start challenges

The challenges faced by Orabi in presenting jewelry were first to take the step. The sketches had existed for some time, but suddenly he decided to step on and learn from mistakes, to know a new atmosphere and new people, and began his research on new stories and a whole society. He pointed out that according to the wonderful people supported him a lot, and this is what made the work carried out this way, the whole process was loved, especially as all the details in the pieces carried out manually, they are not busy on machines.

Arabi:

"The desert in the UAE encouraged me to use different sand colors within the artwork, which I consider part of the development of the relationship with the place."