Concrete Utopia: Korean cinema tells you how to be a good fascist. In few places on the planet metaphors hurt as much as in South Korea.
Bong Joon-ho turned his most famous work, Parasites, into a perfect x-ray of privilege in times of happy, unhappy capitalism. The director manages to create a friendly and very vibrant delirium that is as cruel as it is unprejudiced; funny and tragic at the same time. The action scenes flash across the screen like a flash of lucidity and humor.