Cord Jefferson debuts in the feature film with an acidic, visionary and very funny fable about the limits of cultural appropriation, the errors of pious progressivism and, when the case, the eternally rancid nature of fascism. The novelty in this case is intelligence, grace and the absolute lack of both prejudices and, most importantly, morals.
No one is safe in this tale as melancholic and clear as it is slightly ruthless. The starting point is the correct one. Not even original and dazzlingly brilliant, just the right one.