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Four years ago, Netflix aired the first season of "The Crown".

The historical drama about the British royal family has since been a box-office hit for the US streaming service.

Millions of viewers worldwide sit in front of the television with every new episode.

But with the fourth season now underway, criticism is growing, especially in the United Kingdom.

Not surprisingly, the number of royal house experts and royalists is huge.

In addition, as the time of the chronologically structured series progresses, so does the number of those who witnessed the events described, some even at close range.

Even in the left-liberal “Guardian” there are warning words.

What the series needs is a logo that is permanently displayed - “with an 'F' for fiction,” writes his columnist.

The Netflix creators have a responsibility not to distort the history of the Windsors.

Nor should they take sides, not even on behalf of Princess Diana.

According to the mass newspaper “The Daily Mail”, the latter should not only unearth many subjects, but even Prince Charles and his wife Camilla - a claim that should naturally also be marked with an “F”.

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A blockbuster like “The Crown” inevitably shapes the public's image of the royal family as an institution for a long time - because there are very few authentic insights into its reality in real life.

Which is why fans and researchers of the royal family accuse “Crown” inventor Peter Morgan of having broken his own promise.

The British screenwriter has committed himself to the stipulation that "one may sacrifice accuracy, but never the truth".

Five of the juiciest untruths from season four:

1. The locations:

In the style of the US series "Denver Clan", the performance of the royals is jazzed up and free of facts.

Example Buckingham Palace.

Tinted limousines with aristocratic lords roll across the mall towards the residence of Elizabeth II - and through the black wrought-iron gate in front of the main facade.

Locations weren't always right.

Queen Elizabeth II (Olivia Colman) can be seen here in Moor Park

Source: Liam Daniel / Netflix

This may be the case in exceptional cases, for example when a new prime minister makes an inaugural visit.

But like every other castle or estate owner, royals also enter their home unspectacularly through the side or back entrance.

For security reasons alone, and especially in the Buckingham Palace case, in front of which tourists flock around the clock.

2. Conduct at court

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In the second episode, Diana Spencer falls into the clutches of the merciless royals when she is invited to dinner, newly in love with Prince Charles.

The teenager forgets to make the necessary curtsey in hierarchical order and to address Queen, Prince Philip and Princess Margaret with the appropriate title.

What is rewarded in the film with a furious warning from the queen's sister and changes Diana's complexion from delicate pink to tomato red.

That Diana (Emma Corrin) did not know how to behave at court is fiction

Source: AP

A completely unbelievable portrayal, because Diana grew up as the daughter of an earl, and she was taught how to behave like a parcel at an early age.

That she wouldn't greet the Queen first and instead run towards Charles, an "F" should also be heard above.

In many “Crown” movie scenes, “the salutations are wrong.

They confuse 'Ma'am', 'Madam' or 'M'Lady', call Diana a 'Ma'am' before she is married, ”says royal family expert Hugo Vickers (“ The Crown Dissected ”) WELT.

In addition, the director Olivia Colman, who plays Elizabeth II, in the "Trooping the Color" parade in 1979 in the wrong uniform.

3. Diana, the victim

Apparently, the makers of "The Crown" based their portrayal of Diana and Charles on the Netflix series "Diana in her own words".

The documentary broadcast in 2017 is based on the book by Andrew Morton, published in 1992, who secretly worked with the princess and therefore largely adopted her bitter view of the events behind the palace walls.

Diana (Emma Corrin) is only stylized as a victim in the series - something that contemporary witnesses criticize

Source: AP

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So Diana in "The Crown" is from the beginning the innocent girl who is treated and suppressed by the Windsors as the heir to the throne-birthing machine.

The extent to which Diana herself actively participated in the narrative of her own tragedy in the course of her marriage, which was quickly broken down, is made clear not only by the secret cooperation with Morton, but also by the infamous BBC interview from 1995 in which the princess reveals the most intimate details unfiltered.

4. Clumsy Mrs. Thatcher

The "Iron Lady" was known not to be a fan of old castles and country games.

The experts deny, however, that the then Prime Minister acted completely inept on the traditional visit to Balmoral.

Every late summer the Queen receives the incumbent head of government in her Scottish summer residence.

The series tells of Thatcher's first visit after their election victory in 1979. Both the First Lady and First Husband Dennis trudge through the old walls in the wrong wardrobe and anger the mud and grouse-loving Windsors with their urban customs.

On top of that, Thatcher leaves earlier than planned.

What connoisseurs dismiss as pure fiction.

On the one hand, because the Prime Minister was an ardent admirer of the royal family and because the royals supposedly always welcome guests at Balmoral very much.

Gillian Anderson plays former British Prime Minister Margaret Thatcher

Source: AP

It is also untrue that Thatcher urged the Queen to intervene before her fall in 1990.

In truth, a prime minister never asks the head of state to intervene because he has no power to do so.

Which is true, however: During her visit, Thatcher sat down on a chair owned by Queen Victoria, on which nobody is actually allowed to sit.

And was informed about it by Princess Margaret.

5. Royal sport

Some connoisseurs of the British lifestyle find mistakes in the fourth season that only insiders can notice.

A viewer who described himself as a “staunch royalist” complained in a letter to the editor to the Daily Telegraph about the “depth of injustice” against Prince Charles.

In the case mentioned, it was not about Netflix's portrayal of the infidelity of the heir to the throne or his abandonment of the world.

No, the man loyal to the king is fishing.

Anyone who knows anything about fishing should throw the line into the water in an aesthetic arc, "it lands without a whisper".

But in the scene in which Charles is standing by a stream in Iceland, the line whizzes through the air and lands inelegantly in the water.

According to the Surrey writer, this is the culmination of disrespect for a member of the British royal family.