<Anchor>



Artificial intelligence and AI technologies are advancing rapidly today.

There was even a'audio montage' technology that draws the face of a criminal just by listening to the voice, and now you can create your own creations.



Reporter Kim Ki-tae will tell you how far AI technology has come.



<Reporter>



In 1991, 9-year-old Lee Hyeong-ho was kidnapped in an apartment in Apgujeong-dong, Seoul, and was found dead 43 days later.



The only clue is the voice in the blackmail phone left by the killer.



[Don't say that.

I'm not that leisurely person right now.] In



2006, the statute of prosecution expired, and it was left permanently in the US, and the criminal's whereabouts are still unknown.



When the culprit of the criminal is only voice, AI that draws a'montage' with only sound is expected to provide clues to the investigation in the future.



The voice coming out of the lungs through the vocal cords depends on the structure of the lower duct and the facial skeleton, which is the principle that AI, which has learned about 800,000 data, draws a face similar to the voice.



[Gyo-gu Lee/Professor of Graduate School of Convergence Technology, Seoul National University: The face can be easily covered by wearing a hat, a wig, or a mask, but the voice remains as it is unless a special modulator is used...

.] The



sight of an already dead singer singing a new song, AI has made it possible.



[Hello.

This is Kwangseok Kim.]



Sports such as golf and stock investment have grown to the point of threatening human abilities.



As AI technology advances at a frightening pace, it is sometimes controversial whether AI will recognize the intellectual property rights of the creations it produces.



In addition, it is necessary to improve related systems such as administrative dispositions and law amendments in case AI causes a crime or has to compensate for damages.



This is a task to be addressed when the government promotes the enactment of the'Data Basic Law' to vitalize the AI ​​industry this year.



(Video editing: Park Ji-in)