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DARÍO PRIETO
Updated Sunday, 4 October 2020 - 02:04
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Two news items coincided last week, as a materialization of the relevance that opera shows have acquired during the covid pandemic, to the point of transcending the mere artistic phenomenon.
The first was the reaction of the Royal Theater to the complaints of a sector of the public about the lack of separation between the seats of the Madrid Coliseum, to the point that the protests even canceled the second performance of
Un ballo in maschera
, the inaugural show of the season
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