I'm listening to

Just Like Us ,

Clare Malone's

terrific podcast

on

celebrity culture

over the past 25 years.

Given that her episodes began airing in February 2022, that "a little late" might sound like you've fallen into the wildest FOMO trap: something

less than a year old

shouldn't be out of date.

But

Just Like Us

begins with the

analysis of one of the

most media couples of recent times:

Bennifer

.

When Clare Malone records her podcast, the union

between Ben Affleck and Jennifer López belongs to the past,

although the first reunions of the actor/director and the singer/actress/producer/dancer/legend date back to early 2022.

So yeah,

Just Like Us

is a bit dated in that regard, but everything else is still like new.

His journey through

the history of La Fama

is priceless.

Malone relates how

we have gone from a celebrity culture

based on Hollywood and paper magazines to a landscape in which

celebrities are famous for being famous,

their narratives are controlled by themselves through social networks and

Kim Kardashian, a A woman without a trade or benefit

before being famous, she managed to have several trades and enormous benefits when she knew how to capitalize on a

fame founded on nothing real.

From paparazzi chasing movie

stars to reality show stars

being their own paparazzi.

From paying outrageous amounts for the first photos of Brad and Angelina's children (we're talking about millions of dollars) to clever celebrities who post photos taken by telephoto professionals on their networks who, in this way, see how they

are automatically devalued in the market ,

going from being expensive exclusives to free memes.

From publications with a budget to seat reporters in the seat next to a movie diva's on an airplane (we're talking first class on a transoceanic flight) to media aimed at African-American audiences who bought at ridiculous prices "any photo of anyone black" to walk into a party, knowing that the regular customers in those photos only wanted images of whites and unaware that a good part of the American population was also interested in the

nights out of Gabrielle Union or Nia Long.

The Just Like Us

episode

focusing on

systemic American racism

is as terrifying as it is specific to the country it speaks of.

In almost everything else, the podcast is perfectly applicable to Spain.

There they have

Perez Hilton

and here we have

Antonio Rossi,

they read insults on TMZ for years, we enjoyed for a while (yes: we enjoyed, we are so accomplices) with the "aaargh" of a certain magazine.

They have

Wendy Williams

and we have

Ana Rosa

, they have

Bennifer

and

Brangelina

and we have

Maribel

(Mario + Isabel),

Eyetano

(Eva + Cayetano) and

Felizia

(or Letipe).

They have

the Kardashians and we have the Camposhians,

they have Mar-a-Lago and we have

Ambitions

,

Cantora

and the rancid portal of the Pujol house.

They

drove Britney crazy

and then turned her into a symbol, we

laughed at Chenoa

in another portal and recently abandoned by Bisbal and now even she makes jokes about the tracksuit she wore to star in that mythical moment.

Some things have gotten worse, others have gotten better.

And

everything has changed so that everything remains the same.

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