"He's been with me forever.

Four years after the suicide of the young Swedish DJ, a museum in tribute to Avicii was inaugurated on Saturday in Stockholm.

Considered one of the best DJs in the world until his tragic death at 28, Tim Berling – his real name – left several global hits, including “Wake Me Up” with singer Aloe Blacc in 2013.

Called “Avicii Experience”, the museum is located in the basement of a modern building in the center of Stockholm.

In particular, it houses a reproduction of his teenage bedroom with personal items, such as a self-portrait in colored pencil, and a computer station running with the game World of Warcraft.

As well as a reproduction of his Los Angeles studio with his personal guitars.

The Avicii Experience tribute museum opened today in Stockholm.

Fans can step into a recreation of Tim's childhood bedroom and Los Angeles home studio with his grand piano, guitars and other instruments on display.

Visitors can also listen to unreleased demos and mix Tim's music pic.twitter.com/cnf5vyck6u

— Tim Bergling (@Avicii) February 26, 2022

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An “immersive” room to turn into a DJ

"He's been with me forever.

The least I could do was pay homage to him and be the first person to come here,” 26-year-old fan Amanda Ekstedt explained during her visit.

The museum also includes an “immersive” room so that visitors can get behind the decks and experience a concert.

A room lined with mirrors and screens broadcasts a jerky montage of videos of concerts, crowds, planes to evoke the intensity of the artist's life and the pressure to which he was subjected – his death had made it possible to bring up the sore subject of depression in young people.

"There's also a subtle message that is 'all that glitters isn't all you want in life' and so you have to be careful," said Amapola Fairtlough, a 46-year-old visitor who came with her teenage son and Avicii fan.

A psychologist is present for the first weeks following the opening to support fans who are overwhelmed by emotion.

"The story of Tim Avicii has a very sad and dark side," said Lisa Halling-Aadland, one of the museum's managers, "so it was important that we had people here who could manage when needed."

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