In the film

Maidan

(2014), Sergei Loznitsa places his camera on the front lines of the civil uprising against pro-Russian President

Viktor Yanukovych

.

The result, which the filmmaker presented at Cannes, is an overwhelming film that positions itself politically

Become Premium from €1 the first month

Take advantage of this limited time offer and access all web content

I love you

If you prefer

Already Premium?

Log in

cancel whenever you want