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Chabe walks down Calle Argensola as if he had transformed the Justicia neighborhood into a

petit

Paris.

His hands are stuffed into the pockets of a navy blue coat.

It is red lips that walk calibrating some locations to their addiction to nostalgia.

Tune in to the business licenses issued by the City Council, the regulation of bureaucracies that puts the premises to work, in the compass of aesthetic aspirations that it manages: antiques, gloom and decadence.

-Can not be.

The book is gone - she stops in front of the hole left by

Hostesses.

Chronicles and chroniclers of salons.

1890-1930

(Turner) in the window of the Gaudí bookstore.

Save a suggestion for Blixen, Antiques & Home to your iPhone.

It is the photograph of a Provençal bench that he wants to get rid of.

She and the antique dealer spend a few seconds communicating through onomatopoeia as they look at the screen and look at each other and look at the screen again.

"I'm moving to Paris in March for work," he says as he enters the Ficus cocktail bar.

The bank won't stick with my new house.

I don't know what I'm going to do with it.

The bar is a garden of faces blurred by gloomy lighting.

"I love candles. They give any place a different vibe. I light them

for a nap

. The twilight is my thing."

Ask for sparkling water.

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Chab_ella is her name on Instagram. Manage a details profile. "It's like a board where I put what I'm attracted to. I go in and look at my past years. I like to remember. I do it for myself.

It conveys nostalgia. I would stay at the court of Louis XIV and I would not move from there

». Ships, French castles, the kimono collection, the crockery collection and "

l'art de la table "

", the franchise of the combination of "fresh flowers, candles, table linen, crockery and cutlery" installed in the apartment on Génova Street where friends come to their call. "I have never made two identical tables.

I always leave them made the night before". Afternoon falls, the wax burns, dinner is ready. "It usually happens that nobody wants to leave home.

I love that they are comfortable.

Create that environment.

I don't like food.

I hate the day."

The phrase deactivates the character.

Stop being Chabe: Isabel Abella, deputy director of the legal department of L'Oreal Spain and Portugal, laughs when she hears herself.

"I don't know what people are looking for. They don't think I'm a lawyer. They ask me if I'm an artist, a photographer, a dancer.

The reaction is always the same."

His account is a secret that does not reach 3,000 followers.

"But how am I going to influence? I guess it's the ability to evoke

. I like everything that was done in the 40s

. That aesthetic, the air of that time. In the end, you attract to you what moves you somehow," he reflects.

"I think all this comes from having seen

Smiles and Tears

56 times . I saw it when I was six years old and I was fascinated."

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Journalists, film directors, writers or designers and

influencers

from whom they earn money make up their unarmed army of Frenchified people. "I had the opportunity to

dress

characters from the novel

Sangre de lobos

(Editions B).

Recently, a Design student wrote to me asking me to help her with her final year project.

People are very kind."

He speaks French, Italian, English, "I'm learning Portuguese and I studied German for six years."

Confinement passed without Wi-Fi.

"I have never had internet at home. Until the quarantine I did not consider putting it in. When I hired it it was late:

the operators could not install it because they had to go to the interior patio through a bar that was closed"

.

So, as if he had found an ideal moment to always remember, "I read

Essay on Blindness

and spent it alone. I love being alone."

Nostalgia again?

"Nostalgia is the joy of being sad," corrects the Victor Hugo quote.

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DNA

Instagram: @chab _ella l She is attached to the director of the legal department of L'Oreal l She collects kimonos and silk robes l She 'dressed' the characters in the soap opera 'Blood of Wolves'

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