Transgressive, ugly, caring, cosmopolitan and maybe bisexual.

Fifty years after his death, more information about

Igor Stravinski,

one of the most important and transcendent musicians of the 20th century, continues to come to light.

He was the author of classical ballets, but daring and innovative.

Small revolutions that reinvented the genre.

He was also a

pianist, director and writer.

He lived transgressing.

And

fleeing: from the Russian revolution first

and from World War II later.

He did not want to be the musician of tomorrow, as some cataloged him: "It is something absurd. I do not live in the past or in the future. I am in the present."

Stravinsky was born on June 17, 1882 in Oranienbaum (now Lomonosov), Russia.

His father was an opera singer

and, although he initially chose law, he ended up focusing on composing and

was a student of Nikolai Rimski-Korsakov.

He managed to impress Sergei Diagilev, who would boost his career by commissioning him to perform various works and even a complete ballet:

The Firebird

, which in addition to making him famous, served him to

leave Russia for the first time

to go to Paris.

There he composed

Petrushka

(1911) and finally the transgressive

The Rite of Spring

, which caused

a great scandal at its premiere

in 1913: there were fist fights between the public and the police had to watch the second act.

And all because of the dissonances of the score and the surprising choreography.

In the audience was an

impressed Coco Chanel.

They would meet seven years later and it would be the starting point of an

intense relationship

between the designer and the composer.

THE SEDUCTOR

Short, ugly and not very photogenic,

Stravinsky was nevertheless a conqueror.

He was

married for 33 years to his cousin

Ekaterina Nosenko.

But he found true love in his

second wife, Vera de Bosset,

although for the first few years it was a complicated relationship.

It was the first part of the 1920s.

She was married

to the painter Serguei Sudeikin, so only

secret sex

was possible

.

In the end Vera left her husband, but Stravinsky would remain married to his wife until she died in 1939. So for more than a decade the composer

was with the two women.

Both were aware of the other's existence and

accepted it as inevitable.

Despite the polyamory in which his love life derived, Stravinsky was always a man very

focused on his family and raising his children.

He also loved the social life, and had the annoying habit of not letting an encounter pass without hitting the glass with a silverware to throw

endless toasts

, a very common custom in Russia and other countries.

Stravinski and Vera were finally married in New York, leaving the chaos of World War II behind.

There it also achieved popularity.

A

star on the Hollywood Walk of Fame,

on Hollywood Boulevard, recalls the cosmopolitan Russian, who

died in New York

on April 6, 1971 at the age of 88, although he is buried in Venice, near Diagilev, his great professional support.

COCO CHANEL PASSION

Although

Stravinsky's heirs deny the romance

between the two, Chanel gave details to her biographer.

The movie

Coco Chanel & Igor Stravinsky

was even shot in 2009

.

Chanel invited Stravinsky (who had traveled to France fleeing the Russian Revolution) to

live in her villa on the outskirts of Paris.

They soon begin an

affair

, which the composer's partner found out about.

According to the film, it was Coco

Chanel who ended

a relationship that inspired her in every way.

Stravinski was also riding a new wave of creativity as Chanel introduced her own groundbreaking creation,

Chanel No. 5 perfume

with her perfumer, Ernest Beaux.

Both creators fed back.

Coco Chanel, in her Paris apartment.Cecil Beaton / Condé NastGetty Images

Chris Greenhalgh, in his book on the couple (

Coco Chanel & Igor Stravinsky

, Penguin Random House, 2009) tells how his love threatened to overcome work, family and his own life:

"His love story inspired his art.

His art defined a it was".

In fact, the break led the artist to the most moving moments in his new compositions.

BISEXUAL SO WHAT?

Precisely during his stay in Paris, the artist

frequented homosexual circles,

although apparently he did not stop showing off his success with women.

One of those who brought the issue to the table was the writer and musician Robert Craft through an article in

The Times

Literary Supplement

.

Craft was Stravinsky's confidant and literary collaborator in the last decades of his life, and is the author of the revealing essay

Stravinsky: Discoveries and Memories

, in which he already noted that "Stravinsky was exclusively in

an ambisexual phase

while writing

Petrushka

and other works. ".

Specialists have given considerable importance to

Stravinsky's possible homosexuality.

It could be one of the reasons for Stravinsky's intense antipathy towards Nijinsky, the choreographer of some of his works and at the same time Diagilev's lifelong lover.

But there is not much documentary evidence, beyond some letters crossed with friends and colleagues in which they say goodbye with "hugs and kisses."

"The tone and content instead resembles the kind of

close but platonic male friends

Stravinski had throughout his life, including with Craft," wrote Zachary Woolfe, music critic for

The New York Times.

In Craft's book it is claimed that he sent the composer Maurice Delage

a photo of himself naked and with an erection,

but there is no documentary proof of this.

Robert Craft himself pointed out in 1982 that Stravinski was a

convinced

monarchist

throughout his life.

The truth is that he

hated the Bolsheviks

even approaching fascism.

In 1930 he said: "I don't think

anyone venerates Mussolini more than I do. He

is the savior of Italy and hopefully Europe."

He had a private audience with Mussolini and told him that he "felt a fascist."

The USSR seemed a "monster" to him.

The performance of his music was prohibited in his country from 1933 to 1962. A year after the death of the genius, in 1972, the Soviet Minister of Culture, Ekaterina Fúrtseva, ordered Soviet musicians to "study and admire" music. by Stravinski.

According to the criteria of The Trust Project

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