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  • LEYRE IGLESIAS

    @Leyre_Iglesias

Friday, June 12, 2020 - 5:18 PM

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Tomás Baleztena started with the canvases he had in his home-studio, a few steps from the Prado Museum. He painted fast, between despair and fury, casting out his demons. The news, the dead, the infected, the dangers, the prohibitions sounded. The black balance of each day. Little by little, the canvases were running out. Then he reached for boards that he had stored. And so he came to the last oil, painted just two weeks ago and in two days: a tortured portrait, the

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