PREMIUM
LEYRE IGLESIAS
@Leyre_Iglesias
Friday, June 12, 2020 - 5:18 PM
- Share on Facebook
- Share on Twitter
- Send by email
Tomás Baleztena started with the canvases he had in his home-studio, a few steps from the Prado Museum. He painted fast, between despair and fury, casting out his demons. The news, the dead, the infected, the dangers, the prohibitions sounded. The black balance of each day. Little by little, the canvases were running out. Then he reached for boards that he had stored. And so he came to the last oil, painted just two weeks ago and in two days: a tortured portrait, the
To continue reading, go Premium
Already Premium? Log in
Monthly
€ 1
first month
after € 7.99
I want itAnnual
6 months free
€ 47
Free 1 year of Legálitas Plus (valued at € 240)
I want itFind out what Premium is
Cancel whenever you want
Check the terms and conditions of the service
In accordance with the criteria of The Trust Project
Know more