New York (AFP)

American singer Jessye Norman, soprano whose voice was both dark and majestic had won audiences worldwide, died Monday in New York at the age of 74, following sepsis.

"It is with deep sadness that we announce the death of the international star of the opera Jessye Norman," said his family in a statement sent by a spokesman.

"We are so proud of her musical achievements and the inspiration she has been to audiences around the world, who will continue to be a source of joy," she added.

The singer turned icon, who had marked the spirits in France singing "La Marseillaise" in 1989 for the bicentenary of the revolution, died of sepsis following the complications of a spinal injury suffered in 2015, according to the communicated.

Tributes began pouring in on Monday night.

"The Met mourns Jessye Norman, one of the greatest sopranos of the last 50 years," said the New York Opera, where she has performed more than 80 times, in a repertoire ranging from Wagner to Poulenc, passing by Bartok, Schönberg and Strauss.

"She was one of the greatest artists to sing on our stage," said Met Peter Gelb's director. "His memory will live forever".

- Black girl in a white environment -

Born September 15, 1945 in Augusta, in a state of Georgia then segregated, Jessye Norman, from a family of five children, initiates the music by the church, singing the traditional "spirituals".

Growing up, she began to listen to radio operas, including those of the prestigious Metropolitan Opera, where she would become a star herself.

"I do not remember a moment in my life when I was not trying to sing," she said in 2014 on American radio NPR, after winning five Grammys, one of which was awarded his entire career in 2006.

A young black woman in a mostly white classical music milieu, she won a scholarship to study music at Howard University, a historically black institution in Washington.

Engaged since 1968 - she was only 23 years old - at the Berlin Deutsche Oper, she started in France five years later, in Verdi's "Aïda".

Invitations follow at the Aix-en-Provence Festival ("Hippolyte et Aricie" by Rameau in 1983, "Ariane à Naxos" by Richard Strauss in 1985), the Opéra-Comique (1984) and the Châtelet (1983, and regularly since 2000).

She moved to Europe where, with her dark and pulpy timbre, she established herself as one of the most recognized dramatic sopranos, especially for her interpretations of Wagner.

"The beauty and power, the singularity of the voice of Jessye Norman: I do not remember anything else like it," declared in 2014 the Nobel Prize for Literature Toni Morrison, who died herself last August, during an evening of homage to Jessye Norman.

"I must say that sometimes when I hear your voice, it breaks my heart, but every time when I hear your voice, it heals my soul," the writer continued.

Jessye Norman was also a woman of conviction, socially engaged, especially for artists from disadvantaged backgrounds. In particular, she had founded the Jessye Norman School of the Arts in her hometown of Augusta, free for the most penniless.

If she had sung at the inauguration ceremonies of US presidents Ronald Reagan and Bill Clinton, or for the 60th birthday of Queen Elizabeth II, in 1986, before receiving the National Medal of the Arts from President Barack Obama's hands in 2009, the singer had retired from the scene in recent years.

His most recent interviews date back to most of 2014, the year of the publication of his memoirs, "Stand Up Straight and Sing!".

She described in detail the women who had marked her, and the racism she had faced, as a child and then as an adult.

His love life was a mystery. When the Telegraph was questioning her about a passage in her memoirs where she mentioned a marriage proposal that a French aristocrat would have made her one day, she described the episode as "fascinating", without revealing anything.

"The French have always supported me a lot, let's stay there," she said with a laugh.

© 2019 AFP