Happening in Egypt .. Dance on the blood of the constitution of sacrifice

Al Jazeera Net

The history of Mohamed Ali Pasha, "The Builder of Modern Egypt," saves the dancers and drives them away from Cairo, where he issued an order in 1834 to arrest the dancers and deport them to Upper Egypt and impose 50 lashes on each woman dancing on the road.

The decision was specific to the dancers of treachery and treachery, where they found in their work a disincentive to the suit of his career and projects, and did not include other manifestations of joy calculated by some to dance, such as manicures involving manhood and equestrian.

It was a day when the state of the state collapsed, and the ceiling fell and the dancers returned to silence. A street with its name in the heart of Cairo remained connected to the dance classes (worlds, gazes, dancers and even artists). ) And toys.

The spread of the dancers from Mohammed Ali Street, which appeared to be a choice for the dancers and their families, took the revenge of the Basha who was found in their profession to hold back the building - to include the Haram Street, Mohamed Ali Street, and the big hotels around Nile Cairo and the Nile cruise boats.

The dance job was later moved from wedding halls, nightclubs and movie theaters to a place and function in politics, guaranteed immunity from prosecution, although the law criminalizes someone who says to a person:

The list of dance stars and politics is full of names, nationalities and secrets, some of which have been published in memoirs of dancers who have not been published, and others who have paid their lives to publish them, to die with secrets.

Spectacles
Egyptian women dance, and later the Russians, to the "stork" of the people, the political scene has appeared since the military coup by the general in 2013 against the first elected civilian president.

Sisi and those around him in dance and "popcorn" have found a job to attract and attract more public attention, just as filmmakers do in their films to ensure that audiences are attracted and increased revenue.

Thus, dancing and "storks" were the common denominator associated with the ruler on more than one occasion, especially in the so-called presidential elections, which took place in a theatrical way, to the referendum on the constitutional "violations", the latest amendments, which binds the country and the people, The last remaining of the January 2011 revolution on the article on his term.

In the scene of the first presidential election in 2014, while the polling stations were empty at home except the staff, the scene outside crowded with the scenes of dancing, dancers, some of whom wore the flag of Egypt and did not spare the passing of kisses to attract voters to vote.

The scene was echoed last year by the presidential election, which did not fit into the dizzying noise of its former rival, the submerged Compasses, who was chosen as a rival against Sisi to complete the picture.

The mentality of the zap
Traditionally, the celebration dance in the countries of the world to come after the victory is an expression of joy, but in the Egyptian political scene comes before and accompanied and followed the occasion, where in the first sees the crowd and the second Istrwa and third bullying.

Dance is a main pillar in the "political sissy" of a satellite system that encouraged the regime three years ago to organize a dance competition in which title contenders would compete.

Nafar denounced the Al-Azhar scholars as a deviation and a blatant challenge and a fierce attack on religion and ethics. The channel stopped broadcasting for a week, but the channel resumed the dance competition after an Egyptian court acquitted the dance competition of the charge of "debauchery".

The dancer's imagination has become dominant in the mentality of the regime, even as they have called it national songs and accompanied it and accompanied it, for example "hand hands" and "good skin", which have a dance rhythm that encourages listeners to dance.

The wise people in Umm al-Dunya reject such scenes and regard them as shameful and shameful and negate the reputation of Egypt and the Egyptians, asserting that virtue is the origin, and that this type of dance is distorted to their image and their reputation, even if the ruler and those around him use him always and inappropriately It lasts.