Dramas, comedies, superhero stories, horror and documentaries.
All this (and more) are some of the most attractive movie proposals to
see movies on the big screen again
in March.
SCREAM VI (March 10)
Jenna Ortega, the protagonist of
Wednesday
, faces Ghostface, the killer in the mask who never seems to want to stop killing.
In this new installment, which
has the presence of Courteney Cox
, death haunts a group of young people who live in New York all the time.
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Awards.
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Writing: JAVIER ESTRADA
The best Oscar movies and where to see them
Premieres.
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Writing: JAVIER ESTRADA
5 good movies to watch on Amazon Prime Video
BEAUTY AND PAIN (March 10)
It won the Golden Lion in Venice and
is aiming for the Oscar for Best Documentary
.
Photographer Nan Goldin had a hard time due to his opioid addiction.
A problem that she solved and that has made her
confront a family that owns
the pharmaceutical companies that distribute these 'drugs' with vindictive acts, as this documentary tells in great detail.
SHAZAM! THE FURY OF THE GODS (March 17)
Lots of humor, quite bad milk and action without limits.
With this base, the sequel to an atypical superhero movie begins, in which
Zachary Levy gets into the skin of a guy with powers who doesn't finish doing things right.
Now, as if that were not enough, faced with a group of very powerful women headed by a character played by Helen Mirren.
AND WHAT WILL LOVE HAVE TO SEE? (March 17)
In this very
British
(as well as very current)
romantic comedy ,
Lily James and Shazad Latif
play two friends looking for love in a very different way.
Although with not as good results as they would expect.
To highlight the
important presence as a secondary of Emma Thompson
as the mother of the leading girl.
JOHN WICK 4 (March 24)
Stylish, apparently calm and always hoping to be left alone.
This is
John Wick, the guy that Keanu Reeves plays for the fourth time
in a new installment of the violent saga to which he gives his name.
A kicking and shooting adventure featuring
Rina Sawayama, Bill Skarsgård, Laurence Fishburne, Ian McShane and Natalia Tena.
THE LOST KING (March 24)
With
Stephen Frears at the controls and Sally Hawkins and Steve Coogan
as protagonists, this film comes out as a small but pleasant surprise.
Its story, based on true events, tells the adventures of a historian who tries to
clarify where the remains of Richard III
, one of the great figures in the history of Great Britain, are.
65 (March 24)
The number that appears in the title of this
film with Adam Driver
is the millions of years (in the past) in which its plot takes place.
When his ship falls on a strange planet, a pilot and his young traveling companion must face enormous creatures that, to his surprise, are
not animals of unknown origin but dinosaurs on an incredible journey into the past.
THE HOTEL OF LOS LÍOS (March 24)
Two years ago,
José Mota and Pepe Viyuela
starred in
García y García
.
Now comes a new story with those brought to life by characters intended for a family audience.
The interior of a hotel in ruins becomes the perfect setting for a thousand and one gags in which
Paz Padilla, Diego Arroba 'El Cejas' and Antonio Resines appear.
TIN&TINA (March 31)
Fear, much fear, offers viewers a
horror film starring Milena Smit and Jaime Lorente
as a reward .
Two fashionable young actors who play a married couple who adopt two children with very white hair who seem to be possessed and who act strangely in each of the activities they carry out in their new house.
DUNGEONS & DRAGONS: HONOR AMONG THIEVES (March 31)
It is a classic role-playing game and now it will have its movie.
Chris Pine, Michelle Rodriguez and Hugh Grant
lead the cast of this adventure film centered on a group of thieves who must find a relic against fantastic beings.
A lot of special effects for a family film that aims to be a blockbuster.
THE EMPIRE OF LIGHT (March 31)
Sam Mendes stars Olivia Colman, Colin Firth, Toby Jones and Michael Ward
for an
emotional melodrama set in a British cinema
where a series of characters face a difficult moment.
It's the 80s and this film tries to present that space where movies are shown as a place full of broken dreams and others to come true.
According to the criteria of The Trust Project
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