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The Madrid theatrical billboard maintains its good pulse, with a wide variety of works that allow the respectable to choose between Nietzschean extramoral theater

,

the validity of

Luisa Carnés

, the memory of

Alfonso Marsillach

or the music of the unforgettable

Franco Battiato

, to give just a few examples .

The Good Woman (Quique San Francisco Theater)

The Teatro Urgente collective returns to the Madrid stage to present its fourth production, a show directed by

Ernesto Caballero

, with dramaturgy by

Karina Garantivá

, which brings to the stage different female archetypes who flee from the role assigned to them and throw themselves into conquest of an uncertain freedom.

The good woman translates

Nietzsche

's philosophy to the stage

to propose an

extramoral

theater , which flees from the idea of ​​what is good and what is correct to place itself in the place of doubt, paradox and coexistence between opposites.

It can be seen at the Teatro Quique San Francisco from March 18 to April 17.

Tea Rooms (Fernán Gómez CCV Theater)

Luisa Carnés

, Spanish novelist and journalist,

invisible

author of the Generation of 27, worked as a waitress in a tea room and

Tea Rooms would emerge from her experiences.

Working Women

(1934), a work that

Laila Ripoll

now takes to the stage.

Paula Iwasaki

,

María Álvarez, Elisabet Altube, Clara Cabrera, Silvia de Pe

and

Carolina Rubio

make up the cast.

"The montage takes place in the back room of a famous Madrid tea room, with the intention that the atmosphere invades the entire space and surrounds the viewer, immersing him completely in the atmosphere of the room", explains Ripoll, who maintains that the Carnés text "retains absolute validity and where we can see ourselves reflected".

Until April 24 at the Fernán Gómez CCV Theater.

A night with the classics (Infanta Isabel Theater)

On the occasion of the 20th anniversary of the death of

Adolfo Marsillach

and the 25th anniversary of a production that is already part of the history of Spanish theater and the memory of the group that supported it en masse at the time,

Blanca Marsillach

recovers an idea from one of our most illustrious figures: his father.

A night with the classics

is a work that goes through the best texts of our 16th and 17th century poetry with a plot line that brings together a selection of poems chosen with exquisite sensitivity without hiding that game of complicity and winks that the actors bring In hands.

With the interpretation of Blanca herself and

Miguel Rellán

a play with history is staged.

From April 6 to 17 at the Infanta Isabel Theater.


Pas de Deux (Fourth Wall Room)


Chevi Muraday and Miss Beige

decide to get together for an artistic coexistence.

Dance and performance go hand in hand in a piece where simplicity shines under the majesty of

Tchaikovsky

and revolves around the

Centro Di Gravità Permanente

of the great

Franco Battiato

.

After its premiere at the Surge festival and its triumphant run through the Fourth Wall,

Pas de Deux

returns to the Madrid scene after hanging the "Tickets sold out" sign and leaving the public wanting more.

In a world of retouching, both artists come together to make a piece where there is no artifice, only their presence, their disciplines and the communication that arises between them.

The reflection slips between the humor of the form and the seriousness of the content.

In the Fourth Wall Room from March 31 to April 9.

Altarpiece of Don Cristóbal (Theatre of La Abadía)

Nao d'amores stops at the Teatro de La Abadía for the second time this season, after the revival of

Nise, the tragedy of Inés de Castro (

Max Award 2021 for Best Costume Design) and it does so with the premiere in Madrid of

Retablillo de don Cristóbal

, a version of

Federico García Lorca

's text .

A theatrical experiment, beautiful and poetic, as well as festive and hooligan, raised from the rigor of historical and literary sources, which the company has dedicated to the memory of

Julio Michel

, puppeteer, teacher and friend who dignified the arts of the puppet in Spain.

With the unmistakable stamp of Nao d'amores, the

naive poetics

of the poet from Granada, and the blackjack puppets, this fresh and carefree piece is constructed that can be seen in the José Luis Alonso Hall of the Teatro de La Abadía from April 6 to 24.

The Gardens (Soho Club Theatre)

On Sundays, the Library room of the Soho Club Teatro hosts several sessions of a theatrical meeting designed for a single spectator directed by the playwright

Gaetano Marangelli

whose performer is

Valentina Corbella

.

A montage capable of making the viewer feel many emotions and that is worth experiencing.

Its peculiarity is that it is designed so that there is only one spectator at each pass.

An actress and a person face to face give rise to a unique and avant-garde experience where everything is unknown.

A face-to-face encounter with the artist in which there is room for discomfort, while the metamorphosis takes place.

The assistant has to have the courage to look the artist in the eye and sit in front of her, letting herself be carried away by her interpretation.

A play that was a great success in New York, jumped to Buenos Aires, to the Edinburgh Fringe Festival and is now presented in Spain by the Brigata Theater with Valentina Corbella.

On Sundays, at Soho Club Teatro.

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