"Heaven and Earth-Ancient Chinese Musical Instruments Exhibition" will be unveiled at the National Museum of China on August 8. The exhibition concentratedly displayed the collection of exquisite items and cultural relics borrowed from a number of cultural and museum units, a total of more than 200 pieces (sets), including the bone flute unearthed from the Neolithic cultural site in Jiahu, Wuyang, Henan, the jiuxiao ring of the Tang Dynasty, and the Qing Dynasty Highly representative treasures of musical instruments such as the twelve tube.

  The exhibition is divided into four parts: Heming Jiugao, the sound is heard in the sky; the bells and drums are loud, the music is great; the silk and the bamboo are in harmony, the wonderful sound and the flowers; the gongs and drums in the clouds, the sun and the moon shine together. More than 200 pieces (sets) of musical instrument treasures systematically reflect the development of ancient Chinese music to a certain extent, highlighting the cultural value of Chinese traditional music to supplement morality, cultivate temperament and entertain the people.

  The "Jiuxiaohuan Peiqin" exhibited in this exhibition is well-known in the National Museum of China. This guqin, which was tucked in the Mid-Tang Dynasty, is more than a thousand years old. The barrel has broken lines of cow hair between the belly of the snake. The piano is pruned by paulownia, the workmanship is round and does not show the corners. 1 pair of red agate feet are installed in the foot pool, and 1 pair of red agate feet are installed in the Zhen pool. There is an inscription in ink in the belly of Qin, which is blurred. The 4 characters "Jiuxiaohuanpei" in a small seal script are engraved on the bottom shoulder.

  It is reported that the exhibition is hosted by the National Museum of China, with the Palace Museum, Chinese Academy of Art, Shanghai Museum, Hunan Provincial Museum, Hubei Provincial Museum, Shaanxi Provincial Institute of Archaeology, and Shandong Yinan Beizhai Portrait Stone Tomb Museum as supporting units. (Reporter Ying Ni and editor Li Jiali)

Editor in charge: [Li Yuxin]