The billboard of the Balmes cinema, with the claim of Oscar-winning films that today fatten the catalog of digital platforms, is a still photograph of an escaped world. Still close in time but distant and blurred in memory. The image of a life frozen in tragedy and where the cry to the invisible dead is censored when the tears do not know left and can dilute the account of the aseptic gaze of "the experts" of the Government, the cheating dance of data, the applause
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