'The Beast': hiking through the labyrinth of loneliness (****) 'The beast' starts, if you will, from a classic premise. In a not necessarily distant future, a woman chooses to remove all traces of emotion from herself.
Without fear, without hope and, most importantly, without a doubt. 'The film creates a very fine a labyrinth through all times that speaks equally of loneliness, of hope, of fear, and of hopeful loneliness. The recurring, eternal and always imperfect love between the characters of Léa Seydoux and George MacKay sometimes appears as a gift and other times as a punishment'