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Dancing
Eloise
, by Tino Casal; making love at night in the pool of her
chaletazo
, with her newly implanted hair and talking to her famous neighbor (is it really Chayanne?) the next morning. This is how successful
Juan Carrasco
appears in the first minutes
, the character that Javier Cámara embroiders in
Venga Juan
.
This comedy, now in its third season,
premieres on HBO Max on November 28
.
Acid, corrosive, politically incorrect and with a very realistic point, the series uncovers the miseries of politics and high places using
a despicable guy, unable to recognize his mediocrity
and who still deceives his family (or so he thinks ) than to members of his own party.
Subscribe here to HBO MAX.
Carrasco (Cámara) and his inseparable press officer (María Pujalte).
A SERIES WITH DIFFERENT NAMES
In the
eight episodes that make up this third installment
(as a curiosity, the previous ones were called
Vota Juan
and
Vamos Juan
) we discover a Juan Carrasco at the height of success.
After passing through the Ministry of Agriculture and the vice-presidency of the Government of Spain
, Carrasco returned to his native Logroño.
The place where he became the mayor and where no one has a good memory of him.
Now, some time later, we see him working in a private company and everything seems to be going well for him ... until
a newly discovered corruption case hits him squarely
.
When he ruled in Logroño, he had no qualms about accepting all kinds of gifts and bribes.
And now, someone has taken care to tell everything.
LONG LIVE CORRUPTION
The Spain that this series shows is full of politicians, businessmen and personalities as (or more) corrupt
as Carrasco.
You do not need to know much about politics to
find similarities
between what Diego San José (the creator of
Venga Juan
) and his team of screenwriters have, including Víctor García León and Pilar Palomero, and
any case of real corruption that happened in the last decades in Spain.
Javier Cámara and Adam Jezierski on the HBO MAX series.
Computers formatted
in a sloppy way, references to the
arrest of Julián Muñoz
or the always questioned
revolving doors
appear in a story full of strokes of very black humor.
And in which
Javier Cámara moves like a fish in water, putting all his comic vision at the service of the plot.
Memorable occasions when they use their hands to emphasize what counts.
Javier Cámara is Juan Carrasco, a corrupt ex-politician.
In addition, the work of
María Pujalte
should be highlighted
, as her former press secretary;
of
Adam Jezierski
, as his faithful and unintelligent assistant;
Esty Quesada
as his daughter;
and
Ramón Barea
as his ex-father-in-law.
Among other issues, these episodes speak of people of fluid gender, morality and love relationships.
All of them, of course, under the prism of a Juan Carrasco who is macho, amoral and a first-rate loudmouth.
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Corruption
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