When they came to the mainland, they witnessed the rapid development and progress of the motherland, made new friends, condensed new emotions, and felt the enthusiasm and warmth of their compatriots. They are the "communicators" of cross-strait integration and development, and the "disseminators" of positive energy. The voices of young people on both sides of the strait should be listened to by you and me. China News Network specially launched the "Youth Listening • Cross-Strait" integrated media column to jointly record the true voices of young people on both sides of the strait.

Beijing, 5 May (Zhongxin Net) -- The mainland's film and television industry is booming, attracting many Taiwan film and television talents to choose to come to the mainland for employment and life. Recently, a number of young people in Taiwan's culture and art industry made a guest appearance on the "Qingting, Cross-Strait" column of China News Network, talking freely about the similarities and differences between the film and television industries on both sides of the strait, and looking forward to jointly transmitting Chinese culture to the world through more exchanges in the future.

The picture shows Chen Zhuyin. Photo courtesy of me

Taiwanese martial arts actor Chen Zhuyin has been a stand-in for actresses such as Shu Qi and Chen Yihan. She is a native of Taiwan, who became a martial arts stuntman after graduating from college and participated in more than 30 film and television works.

In recent years, Chen Zhuyin has come to the mainland to develop, and currently lives in Yancheng, Jiangsu, and her work experience in the mainland has made her feel that the development of film and television culture industries on both sides of the strait has its own advantages.

In Chen Zhuyin's view, Taiwan's film and television culture market is relatively small, and it is difficult for creators to find enough funds to support creation. In the mainland, the stage given to practitioners is diverse, and different levels of stages allow practitioners to make diversified choices.

"I am full of hope for the future of the mainland film and television industry," Chen Zhuyin explained, noting the mainland's population base and huge market, for example, for example, "Changjin Lake" broke the world record at the box office.

"I hope that whether it is mainland practitioners or Taiwanese related talents, they will not easily retreat because they encounter some obstacles." Chen Zhuyin hopes that practitioners in this industry can bravely do it, pass on more good works and works reflecting Chinese culture to the world, and let more people hear and see China's story.

Taiwanese young director Xue Yinghong (first from left). Photo courtesy of me

Also choosing to come to the mainland to develop is Taiwanese young director Xue Yingyu. Five years ago, he opened a cultural and creative film and television company called "Red Barley" in Wuhan.

He has worked in Taiwan's film and television industry, and has tried to break through many times in the face of the "involution" of the industry. But when he came to the mainland and saw the prosperity and prosperity of the development of the motherland, he once again ignited hope in his heart and resolutely chose to start a new business in the mainland.

After coming to the mainland, in addition to experiencing the huge scale and vigorous development prospects of the mainland film and television industry market, Xue Yingyu realized that unlike the film and television industry in Taiwan, which is good at taking a small, fresh, relaxed and humorous route, the mainland is strong in the output of film and television industry content, including the magnificent theme, the portrayal of the Chinese spirit, and the profound history and culture contained in it.

Xue Yingyu said, I hope that there will be opportunities for more film and television personnel on both sides of the strait to communicate and integrate together, and everyone can burst out more sparks of thinking together. "I think culture is a kind of mutual exchange, resulting in evolution, iteration, and a better development display, and I also hope that film and television personnel on both sides of the strait can communicate more and carry forward our entire cultural inheritance." (End)