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If Marianne is the allegory of the fall of the French monarchy,

Louis de Funès

represents the

codes of royalty

in the cinema.

His comedies are still considered

jewels of culture.

Despite the fact that this Thursday marks

four decades since his death

due to a heart attack at the age of 68, the trail of this

comedian of Spanish origin

continues to illuminate several generations.

With his grand gestures, the

fuss

, the

imitations

, the

grunts

, the continuous grimaces and the excess when it comes to showing feelings, he won the hearts of the French.

Turned into an

idol

, he managed to make the film

The Big Spree

(1966)

the highest grossing movie in the country

for 30 years until

Titanic

(1997) was released and among all his works on the big screen, he sold

more than 160 million tickets

at the box office. only in France.

It was the actor

Daniel Gélin

, protagonist of

Last Tango in Paris

(1972), who opened the doors of cinema for him in the mid-40s. The

Gendarme

and

Fantômas

sagas made him a star.

His Sevillian father and Galician mother

never had the approval of his family, so they

fled to France

to rebuild a new life.

On his father's side, Louis de Funès

descends from the Marquis de Galarza

and on his mother's side from a

Galician

lawyer and politician .

Before entering a star system controlled by Arletty, Jean Gabin or Claudette Colbert, little Louis

delighted in drawing and playing the piano

and to earn a little money he worked as a barista and pianist in the red light district of Paris (Pigalle).

He also worked as a

window dresser

in some galleries, where

the tennis player Germaine Louise Carroyer

noticed him.

They were married in 1936, had a son named Daniel, and

divorced six years

later.

With regard to this marriage, a thick veil was drawn, since it was sold to the public that

his only wife was Jeanne Barthelémy de Maupassant

whom he met at a jazz school during the German occupation, they married in 1943 and had two children, Patrick (78) and Olivier (73).

She was

the great-niece of the writer Guy de Maupassant,

famous author of Bel-Ami, who was born in the 16th century château de Miromesnil.

Gold bills and bars

Jeanne was the great love of his life,

he worked as an agent and after the end of World War II he was able to select the scripts that best suited his comic vision.

In addition, he was also in charge of

choosing his female film partners,

but that did not prevent

Louis from having an affair

with Macha Béranger, a radio host who used to direct

knowing glances at the actor,

sitting almost every night , in the last decade of his life.

in the technicians cabin.

De Funès, in one of his films.

Through her ancestors,

Jeanne inherited the Clermont palace

in the commune of Le Cellier, 27 kilometers from Nantes.

The couple retired to that immense 30-hectare property in 1967, where Louis de Funès gave free rein to one of his favorite hobbies,

growing the most exclusive species of roses.

The rhythm of the filming and theatrical performances of her left him so exhausted that in the

greenhouse

of the palace she found her true tranquility.

One of the most famous roses in France is named after her.

The actor and his wife, Jeanne Barthelémy de Maupassant.Getty

As a result of the French May, insecurity invaded the streets of the country, which made Louis de Funès very nervous.

It is said that

in order to protect his safety

and that of his loved ones, he buried a

chest full of banknotes and gold bars in the castle gardens.

His austerity was marked by the bankruptcy of his father's company.

Louis de Funes.

Another of the traits that circulate in cultural circles is

his difficult character

that made it difficult to gear the filming, but this part of his life has been

denied by his grandchildren

, fed up with the fact that his image is ignored.

Despite these bickering, his

friendship and camaraderie with comedian Bourvil led

Time

magazine

to compare them to Laurel and Hardy.

He was considered the man with 40 faces per minute.

It is not for nothing that he is known as the Chaplin of France.

According to the criteria of The Trust Project

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