Asked by AFP, his architectural agency could not be reached immediately but had confirmed his death to the public television channel NHK as well as to the Japanese press agency Kyodo.

Very prolific and cosmopolitan, Isozaki was known for never having sought to affirm a particular style, showing himself rather concerned with integrating his constructions as well as possible into their environment.

"My pleasure is to create different things, not to repeat the same thing", he explained in November 2017 to the specialized site ArchDaily.

“For the media or the identity and all these things, it is very disturbing”, he slipped with a mischievous air.

Among his best-known works are the Museum of Contemporary Art in Los Angeles (1986), which launched his international career, the multipurpose Palau Sant Jordi in Barcelona, ​​built for the 1992 Olympic Games, and the Qatar National Convention Center (2011), a convention center in Doha with gigantic columns shaped like tree branches.

He has also built numerous cultural buildings in Japan and China, apartment towers in Bilbao (Spain), the colorful Disney administrative headquarters in Florida and the Allianz Tower skyscraper in Milan (2015), also called the "Isozaki Tower".

Born in 1931 in Oita, on the southern island of Kyushu, Isozaki was marked like his entire generation by the Second World War, during which most Japanese cities were destroyed by American bombardments.

"Everything was in ruins (...). I was only surrounded by barracks and shelters. My first experience of architecture was thus the absence of architecture, and I began to reflect on how people could rebuild their homes and their cities," he said.

He grew up between Japanese traditionalism and the influence of American culture, brought to the Japanese archipelago during the post-war occupation.

This led him to take an early interest in the contrasts of aesthetic codes in the East and in the West, and to want to establish bridges between the two.

Like Tadao Ando, ​​another famous Japanese architect ten years his junior, Isozaki was very attached to the Japanese concept of "Ma", which is interested in the interval between two objects or actions, and had been one of his first passers In Occident.

He had been an apprentice of the Japanese modernist architect Kenzo Tange before founding his own firm, Arata Isozaki & Associates, in 1963, which subsequently opened offices in Spain, Italy and China.

© 2022 AFP