• Ágata Lys dies Myth of uncovering: "She really died 40 days ago in a mysterious silence"

Called 'the Spanish Marilyn Monroe', Ágata Lys marked an unforgettable time in which actresses began to appear lightly dressed in the 1970s. Her

racial beauty

made her one of the most renowned sexual myths along with María José Cantudo, Susana Estrada and Bárbara Rey. And it fell into oblivion. Unfortunately, it has just been learned that the first popular hostess of 'Un, dos tres'

passed away on November 12 at the age of 67

. Valeria Vargas, biographer of La Veneno, has been in charge of confirming the news as well as putting it in the place it deserves through social networks.

At the moment

the reasons have not transcended

. As a child, she dreamed of playing Doña Inés so much that she told her parents that she wanted to be an actress. But they turned their noses and told him that they would talk when he was older. When he started Philosophy and Letters at the age of seventeen at the University of Valladolid, he brought up the subject again at home, but his father put two conditions on him. The first that he did not stop studying, so he enrolled in Dramatic Art in Madrid and the second that if after two months he did not work on classical works, he would return home.

He went through so much hardship that there were days when he took a box of cookies and

distributed them six at a time

to eat them between one trip and another because he did not have money for public transport. By chance she ended up on TVE where they were doing an audition and when they saw her from afar they noticed her beauty, they heard her powerful voice and

Chicho Ibáñez Serrador hired her for 'Un, dos, tres' in 1972

. This was not going to please her parents, so between the glasses and the dyed blonde hair she hoped they would not recognize her. After all, he already had money to keep pulling. It only lasted seven weeks, but she was the first flight attendant to catch on. It was said that a minister's wife complained that such a stunning woman was on such a familiar program.

There, the erotic myth of

Margarita García San Segundo

, her real name,

began to take shape

. The experience in the contest caused her father to stop talking, but they reconciled when she returned to Valladolid to perform the Zorrilla classic 'Don Juan Tenorio' in the role of Doña Inés. The cinema had also knocked on his door. When she starred with Carmen Sevilla in 'Sex o no sex' (1974) there was so much chemistry between them that the veteran interpreter

imposed it in four films

. He uncovered her exalted but, unlike many of her contemporaries who only lived on her physique, Ágata used her intelligence to make her way into more serious roles, such as the one offered by Mario Camus in 'The Holy Innocents' (1984) . Then came 'Taxi' (1996) by Carlos Saura and 'Familia' (1996) by Fernando León de Aranoa.

Her last public appearance was in 'Amar en tiempo scramdos' (2005-2006)

and she retired to Benalmádena where little by little they began to forget her.

Very discreet with her private life,

she had no known romances

nor did she harbor the desire to be a mother.

Her sympathy, with great mental agility to tell dirty jokes, the passion with which she faced situations and that strong and well-projected voice caused her to get into her pocket, especially, women, who never saw any competition in her.

Rest in peace.

According to the criteria of The Trust Project

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