The false theory that Dolores Vázquez was in love with Alicia Hornos

• Tv Dolores Vázquez, neither forgiveness nor compensation for the "cold and calculating" Loli

• Justice The murder of Rocío Wanninkhof: "And isn't it possible that I killed her without realizing it?"

There is a legal aphorism that goes like this: "Give me the fact and I will give you the right." The 'Wanninkhof case' is the clear example that it was not fulfilled, which is why it still remains one of the most serious errors in the history of the modern Spanish judiciary. The

docuserie

seems like the room of a forensic anatomical laboratory where Alicia Hornos and Dolores Vázquez have their hearts ripped out

they still suffer after twenty years can gush out.

On the surface of the investigations into the murder of 19-year-old Rocío lies a lesbophobic story that in 1999 acquired dramatic overtones because

. The love-hate-passion relationship between the two is reflected in the documentary's narrative. They are the face and the cross of the same story told from the embers of a fragmented memory since both are pieces of what they remember. Loli and Alicia's words nail each other.

When Toñi Moreno -interviewer and executive producer- scrutinizes, (un) satisfied affections emerge that move between the truthful, the plausible and the plausible. Maybe in the mendacious? Sticking to the voices of the two sufferers, their sentimental relationship is described according to the perception lived. Alicia undresses: "I notice that I am falling in love with her because I feel many things in my stomach, many strange things when I am with her and when I am not, I miss her. With her I get nervous, a strange thing (... )

I was that I did not see her as a woman, I saw her differently because I do not like women.

But I liked her. "On another level, from the most absolute serenity that many called coldness, Dolores sentences:" For my part there was no infatuation, it was rather on her part.

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In this story of encounters and disagreements, Rocío and her brothers (Guillermo and Rosa Blanca) are the ones who keep these two women together. They both work, they have a passion for children, but the income gap is evident. They do not hold the economic issue in face, rather there is an internal struggle to see who wins in the affection of those three young people who are flourishing towards adulthood. When the mother cannot be aware of them,

"She is very affectionate with the children and with me," Alicia clarifies.

There were details that each one interpreted according to their own frame of reference. "She was a very detailed and very splendid person. I was lying down and I would wake up with a bouquet of roses

describes Alicia, while in another shot, Dolores emphasizes that "yes, little things I like them very much that way. They are times that sometimes I like to remember because they are part of my life too. " Alicia emphasizes again at another point in the interview that

But she is generous. She is not stingy. I have also been generous with her. And mine too. We have all been generous, with each other. "

Days go by and the three brothers become bargains.

The feeling of possession arises between these two women who

The architect of that meeting was Guillermo Wanninkhof, the big Dutch man whom Alicia had met working in a hotel in one of those Ibizan summers in which she made a little extra money after picking olives in her father's field in Jaén.

They married in 1974 and moved to Torremolinos because he was offered a job in a hotel.

Who was going to tell them that Guillermo was the architect of the emergence of a 'something else' between Alicia and Loli.

Dolores Vazquez HBO

The Galician woman had just bought a house in the exclusive El Chaparral urbanization (Mijas) and as neighbors they wanted to get along. "She really thought she had a relationship with her ex-husband because we talked, he was entertaining, he had a foreign mentality similar to mine ...", confesses Loli. However, what no one expected is that those infusions would act as a potion for a romantic story between two women that ended in tragedy.

Both were cultivating their relationship, although collecting different feelings. At one point, an outgoing Alicia decided to take a big step:

and my parents understood perfectly. We are seven brothers and their partners and a lot of nephews, twenty-something nephews. Yes "Everyone knew we were in a relationship. For my part. For her part, no. She never admitted our relationship." Dolores's reaction was immediate: "it was a strange relationship for me because it bothered me a lot that she had told her sister about it." That was the first sticking point.

And Dolores's mother appeared. He came to live with them. She was handicapped and her daughter cared for her carefully, which is why Dolores currently receives 415.22 euros per month. It is not a pension. Setbacks arose again and reproaches came. "Her mother began to put a lot of weeds", alleges Alicia, who describes horrifying events: "We were eating and Loli was throwing the table and on another occasion she throws it on the floor and drags her by the hair because the mother insults me". The daughter's reaction was immediate:

I was jealous of my mother. "But the thing is not there since the Jaén felt as if she were the maid and Dolores the lady who came home and left the briefcase so that they would give her everything done. Once again, the children they were at the center of his controversy: "I noticed my child was nervous, it was punishment over punishment. Rocío was punished without going to the beach or the pool in the middle of summer here on the coast. What used to be all affection and all well-being was the opposite. "The former convict does not consider herself violent," but I do say what I think and if I have to call you daughter of p ... I tell you.

That October 9, 1999, everything changed for the couple. Twenty-four days later, Rosa Blanca identified her sister's body. There was no evidence, just hints mounted on possibilities and not probabilities. Still, Dolores spent 519 days in prison. "At that moment I feel impotence, anger, because at the same time I love her very much. But at that moment I am hating her to rage. And what I want is for her to rot, for her to die." Dolores was absent. Alicia's pain leads her to affirm that "I was threatened because I did not want to return to live with her because I already had a relationship with a man. I told her that ours had ended forever (...) Then she told me:

Before Toñi Moreno, in front of those cameras that she has always hated, Loli wonders: "Don't you think that this did not influence the jury, that it did not influence people day by day?

More than two decades later, Alicia is still raw.

He admits that "I dream nightmares. I wake up many times crying, screaming. I imagine that he had a good life. But it had to have been a life of hell, like the one I

.

Alicia longs for a face-to-face meeting so she can talk.

Dolores doesn't feel the same way.

Forgiveness doesn't seem to be in your dictionary.

When Toñi asks Loli if she still loves her, Alicia answers that "I can't tell you that in front of a camera. If you turn it off, I'll answer you. It's very strong."

Meanwhile, Loli replies: "I have loved her very much too, but not in that way. It makes me very sad. Pain in the good sense of the word, that

in that way.

According to the criteria of The Trust Project

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