On July 9, after years of construction, the Guangzhou Overseas Chinese Museum opened for internal trial operation.

Entering the museum, one by one, the historical materials that record the feelings of the overseas Chinese in Guangfu's home and country, as if crossing the historical time and space, tell the visitors the story of "Chinese".

　　In the course of the establishment of the museum, a wide range of historical materials of overseas Chinese in Guangfu were collected from around the world. The current collection of physical objects and historical materials exceeds 16,000 (sets), including cultural relics with historical and treasured value. Thank you letter, the 1887 China Association Announcement, a batch of precious passports from different countries in different periods and a large number of precious overseas Chinese batches, remittances, stocks, bonds and other physical historical materials.

　　The museum has four parts: "Overseas Chinese History", "Family Country Feelings", "Love Warm Overseas Chinese" and "Remember Homesickness".

In the "Overseas Chinese History" exhibition hall, there is a "scene of building the Panama Canal" and a model of "the 150th anniversary of the arrival of Chinese in Panama" to commend the Chinese people's contribution to Panama.

　　The Guangzhou Overseas Chinese Museum is located at the site of the Wuxianmen Power Plant, which was built in 1901 and is the earliest thermal power plant in South China.

　　According to the instructor of the Guangzhou Overseas Chinese Museum, the museum is the only overseas Chinese museum in mainland China built with a century-old building. While displaying history, it is a part of history and an important cultural relic for studying the history of Guangzhou's industrial architecture.

Now the walls have been repainted, and the exhibits incorporate elements such as "Yunshan, Zhushui, Kapok, and Arcade", highlighting the regional characteristics of Cantonese, the characteristics of overseas Chinese, and the cultural characteristics.

(Cai Minjie produced Sui Zhiyuan)

Editor in charge: [Liu Xian]