Paris (AFP)

Art Rock, Main Square, Lollapalooza: the list of big summer music festivals canceled is getting longer, due to a stubborn health crisis and crippling restrictions.

These events, which had already not been able to take place in 2020, join the cohort of XXL festivals which have already thrown in the towel, such as Solidays (228,000 people in 2019), Hellfest (180,000 spectators in 2019) or even Garorock (162,000 spectators in 2019).

"It's sad, the list is growing and it is not over," comments for AFP Malika Seguineau, of Prodiss (National Union of producers, broadcasters, festivals and theaters in the private sector).

"The big summer tours depend to a large extent on the holding of festivals: we end up thinking that 2021 could be worse than 2020 ... It's terrible," says the manager.

The framework set by the government for the organization of festivals this summer - 5,000 people maximum, seated and distanced - is not suitable for most major current music events.

The Main Square (115,000 people in 2019 in Arras) thus indicated on Wednesday that these conditions "do not correspond" to the spirit of the festival and to the expectations of its audience: "Can we really deprive ourselves of conviviality, of exchange? , the frenzy and sharing that are the spice of the event? ".

The organizers answered no and made an appointment in 2022.

- "Total lack of perspective" -

Art Rock (80,000 people in 2019 in Saint-Brieuc) highlighted Tuesday the "deterioration of the health context and the total lack of perspective as to the reopening of cultural places" to justify its cancellation.

The words are pretty much the same on the side of Lollapalooza in Paris (95,000 people in 2019), which also gave up on Tuesday.

Art Rock hopes to be able to set up an alternative event in September but already evokes "6 million euros of economic flows and more than 1.8 million receipts which will miss the economy of our territory (region)" .

All eyes are now on the Eurockéennes de Belfort (128,000 people in 2019) with international programming.

Its director general Jean-Paul Roland had spoken of a "dead end" during a virtual round table organized by the Senate in mid-March, which does not bode well.

Especially since the public of the "Eurocks", polled in early March (more than 21,000 responses), 72% rejected the idea of ​​attending concerts while seated.

For now, among the major current music festivals, Les Vieilles Charrues (270,000 spectators in 2019) and Francofolies (150,000 in 2019) have promised to take place while adapting.

- What about test concerts?

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But most of the others "are forced to cancel".

"They tried to play the game," insists Malika Seguineau.

"Because the framework is more than uncertain: distance, but with one in two, out of three seats? With a capacity of 35%, 65%? We don't know," she explains.

The organizers of the Main Square deplore in their press release the "procrastination of the government".

Malika Seguineau also underlines "the insufficiency" of the aid fund dedicated to festivals: "of the 30 million, there are 20 for music - all aesthetics combined, from current music to classical - and 10 for the arts of street and theater ".

"We understand that we would have to organize an event on our own funds, when we will need it to restart the dynamic in 2022, so we cannot take this risk for 2021", decrypts the person in charge.

To darken the picture even more, the test concerts are constantly being postponed.

They were not taken into account for this summer, but to prepare for a possible reopening of standing concert halls this fall.

In Paris, an experiment with 5,000 people in concert standing in Bercy is in particular envisaged.

"The health protocols are completed and sent to the authorities for validation, says Malika Seguineau. But we realize that it will undoubtedly be necessary to postpone to May".

"Now it is now that we must anticipate. We have a slow restarting time. If we are told + yes + only in September, it is too late, there will be nothing in 2021", she warns.

© 2021 AFP