Joaquín refused to grow old,
that is why Quino always kept his childish perimeter vision, pure and accurate.
His lucid Mafalda synthesizes like no one else the crossing of the
expectant childish utopias
with the disappointed "thrown towels" of adults.
And he rationalizes it like the best Argentine psychiatrist.
That octogenarian boy who was still in
doubt as to whether he was an agnostic or a conclusively atheist, was
always clear on the contrary that he would work tirelessly so that "the world goes on the side of the good guys."
These days of mourning someone ruled that Quino portrayed our cosmos so well that
the world is now a Mafalda cartoon.
According to the criteria of The Trust Project
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