Most of us go to the movies because the movies excite our emotions and motivate us to seek excitement, suspense, laughter and tears. This can only be achieved by "a tight arrangement of the story's events and emotions" through a process called "the plot".

The dramatic plot, according to the definition of Feld Dam, author of "The Scenario" is the thing that turns the course of events in another direction, to push the story forward. The plot is an essential tool for achieving the goal of the story, or "The Theme", by "creating a struggle between opposing forces to reach the height of events and solve their mystery." The plot relies mainly on conflict, and "by the end of the plot, the character has overcome her struggles and succeeded in changing," according to Linda J. Kaugel is the author of "The Art of Cinematic Plot".

These are five of the most important movie themes that are woven to achieve plots and conflicts erupt.

Revenge

Vengeance against the perpetrators is one of the most popular box office themes and awards for its public sympathy for the "revenge" hero, whatever the nature of his character and the size of his abuses, and his dramatic network is built on a "criminal" who is more abusive and "a revenge" who wants to Revenge on him.

Because successful films are more than counted, we will suffice with the selection of the American movie "Lyon: The Professional 1994", written and directed by Luc Besson. Let us see the ingenuity of the "main plot" that turned the hired killer Leon (Jean Reno) into a person who fled to the child Matilda (Natalie Portman) after seeing her almost die in terror after the whole of her family was slaughtered, and decided to "take revenge" on Officer Stansfield (Gary Oldman) "criminal" "Who committed the massacre. Then, the plot of stealth and escape, escaping with the girl in a breathtaking rhythm, continued to serve the movie's primary theme.

Puzzle

Talking about the most popular themes that need a meticulous plot of precision and mastery makes us return to the "Chinatown." 1974 icon. The movie that gave Robert Town Oscar the best screenplay, directed by Roman Polanski, is an open-minded genius plot of the kind of easy dwindling.

Jake Gates (Jack Nicholson) is a private detective who enters his office to charge him with monitoring her husband, a famous businessman, for her suspicion. Gates performs his mission and delivers the images that prove betrayal, only to discover that the woman is a fake and that she impersonated the true businessman's wife, Evelyn Mulleri (Fay Donna Way), who takes us to another plot by threatening Gates to withdraw his license, after the pictures were published in the newspapers to discredit her husband and her reputation, He realizes that he was involved, especially after the events escalated, with the death of the husband. Thus, the scenario continues to push through more than ten plots, each of which pushes the story with caution forward, to achieve the "theme of mystery" until its shocking solution at the end.

Ambition

It is an infinite theme for her two films: constructive and destructive. But we will stop in front of the first type, through the wonderful writer Susanna Grant and director Stephen Soderberg, and the movie "ErinBrockovich" in 2000. Let's see how Erin's character (Julia Roberts) is cooked over a quiet fire.

From the first scene, Grant smacked us of her cumulative little networks that show us a desperate and angry Eren, and she continues to press her to help her out of her ordeal, achieve her ambition and prove herself.

The movie starts while Erin is in an interview for a job that she misses, so she goes out into the street filled with frustration. She arrives at her car and finds a notification of a violation. She drives and the other car suddenly crashes her. This is clearly not a day of her luck. Her lawyer, Ed Mesry (Albert Finney), came to her and promised that she would receive compensation. Finally, she won a positive word. But soon you lose it and lose the case. Thus, the conflict evolves to paint the true Aaron character and establish its relationship with Ed Mesry, the man who will employ her and allow her to succeed and feel more confident. Throughout the film, we are observing psychic growth in Erin's behavior, reinforcing the ambitious "theme".

Pleading

The ancient theme has made history since the "Dhul Qarnain" story mentioned in the Noble Qur’an, and was inspired by cinema in all languages ​​of the world. Its dramatic plot consists of: a “victim” of a village, group or person under a threat, a “threat” that poses a threat to the victim, and a “savior” that the victim uses or pleads with to rescue him. It was initiated by Japanese director Akira Kurasawa, with the movie "Seven Samurai" (1954.Seven Samurai), and quoted by Chinese director Samo Hong, in the movie "Seven Warriors. 1989" and treated by American cinema in the movie "The Magnificent Seven". Two editions: 1960 starring Yul Brainer, and 2016 starring Denzel Washington.

Treason

One of the oldest cinematic themes, and its network consists of "deceiving lovers" and "deluded partner", with which the public often sympathizes. Among the strongest films plot in her embodiment "Unfaithful. (2002)" was written by Claude Chabrol, and directed by Adrian Lynn.

The scriptwriter Chabrol did not waste any time, and after we got acquainted with a family of a quiet and successful forty years husband, Edward Sumner (Richard Gere) and a beautiful wife also forty, Connie Sumner (Diane Lane) and their only son whose health conditions forced them to live away from the city.

At the heart of Hurricane I, he threw us at the wife's "fall" and injured her knee while she was shopping on a windy day, and that she was unable to stop a taxi. The hand of young Paul Martel (Olivier Martinez) extends to her to help her gather her needs and invite her to his nearby house, so that the plots that increase the wife's slippage in the betrayal well follow. From her sense of the monotony of life and the coldness of the husband, her obsession with the magic of the young man and her total surrender to him. Until the husband discovers the matter, let us turn to the plot of the greatest climax of his involvement in the killing. To keep the escalation of events in a state of amazement from the horror of the trait of betrayal.