Cinema remains one of the most important means of forming memory and documenting important events in the history of peoples, in addition to its first task in creating pleasure while watching. Throughout its history, Egyptian cinema formed the awareness of the Egyptian and Arab audiences of its artists, especially with the ease of the Egyptian dialect and the understanding of the Arab world audience for it, which facilitated its unimpeded access to millions of viewers.

This is a collection of the most beautiful scenes of modern Egyptian cinema, from memorable films.

1. Kitkat

The viewer could not feel bored even with the repeated scene of Sheikh Hosni, "Mahmoud Abdel Aziz," as he was driving the motorcycle. Is he really a blind person, or is he a visionary who makes blindness? Everyone escapes in front of Sheikh Hosni, and he is experimenting for the first time with the feeling of driving and starting, so that anyone who watches the movie for the first time believes that he will be able to continue driving successfully until the end of the scene, or so the viewers wished.

2. Shame movie

Despite the beauty of the shame movie in its full details, the heroes' ability to personify their characters with strength, honesty and great ability to reincarnate, despite the unforgettable multiplicity of scenes in the film; The scene of the division of the spoil between the brothers after the death of "Rawaqah", which was performed by the artist Nora, remains the scene that remains in the viewers' memory, when the artist Nour Al-Sharif denounces, denouncing his words to his two brothers "her right or not her right?" .

That famous phrase is still "its right or not?" It is used in the daily life of Egyptians in the event of any serious material or comical dispute.

3. Against the government

One of the iconic scenes in the Egyptian cinema, especially after the viewer follows the uncontrolled performance of the artist Ahmed Zaki as a corrupt lawyer throughout the scenes of the movie, then the transformation that occurred with the dramatic development of events.

Zaki speaks in the tongue of every person who feels oppression and injustice and suffers from the incursion of corruption, and he reminds the children who died in the accident and says: “Our children. Children of silence, helplessness, and worsening,” then he complements with a trembling voice, “We are all corrupt .. we are all corrupt. I do not exclude anyone, even with a helpless silence Corresponding little trick. "

4. Love in the dungeon

Against a musical background by Ammar Al-Shareai, Salah, who plays Adel Imam, plays a piece of cloth by Faiza, whose role is played by the late artist Souad Hosni. The dungeon window turns into a small space of freedom and romance, when Faiza looses her little green scarf around her head, and responds The reference to Salah is by him, so the scarf refuses to stay behind the walls, and flies to hang in the air on the barbed wire, with all the connotations and references to the desire for freedom and get rid of the prison restrictions.

5. Shams Al-Zanati

The movie, Shams Al-Zanati, brings together a selection of stars: Adel Imam, Mahmoud Hamida, Mustafa Metwally, Mahmoud Al-Jundi and others. After the marshal graze (Mahmoud Hamida) took control of the oasis, he begins dictating his terms to the Shams al-Zanati congregation. Sitting victorious and lighting his cigarette confidently, he asks the sun and his group to surrender their weapons and leave the oasis.

The moment of handing over the weapons and forcing each of the group's heroes to give up their weapons, and the manner in which they drop the weapons that are part of them, and the Marshal heals them graze after their defeat; This scene is one of the most influential scenes in Egyptian cinema, especially with the farewell look that appeared in the eyes of the artist Sawsan Badr at the end of it.

6. The wife of an important man

When I thought about the most important scenes of the movie "The Wife of an Important Man" - starring the late artist Ahmed Zaki and the artist Mervat Amin - the viewer jostled in my head, but the journalist scene overwhelmed her when he met the officer after leaving the service in the café, and discussed it for his own reasons for which he fabricated Counts for everyone.

The journalist in the scene shows a degree of logical healing in the officer, who ended his service, and no longer owns his old powers, but he still lives in the illusions of power and serving the country against chaos and saboteurs.

7. Dark birds

Another iconic scene by Adel Imam and artist Riad El Khouly is the ending scene in the movie “The Birds of Darkness”, the short match between them. After all the old friendship and the struggle that followed over the course of the movie, and the interests that clashed at times and intertwined at other times, we finally find them together in the same place. Their presence in the prison did not alleviate the ongoing conflict between them, on the contrary, it intensified.

Each of them talks confidently about getting out of prison, as if his keys are in their hands. They look at the ball bearing the symbolism of the ongoing conflict, and kick it together, after a moment of filming representing their race to it. The ball flies out, rises in the sky, and eventually crashes into a kind of glass plate, shattering the glass, and the match between them continues.

8. The Earth

If we think about the most important scenes in the history of Egyptian cinema, we cannot remember the scene of the great artist Mahmoud El-Meligy in the Earth movie. Although the film is full of unforgettable scenes, the scene of Mahmoud El-Meligy’s slick remains one of the truest and harshest Egyptian cinema ever.

Maliki's blood-clad fingers clinging to the branches of cotton planted in his land, and his blood that bleeds blood mixes with the mud of the land that he refused to abandon despite the magic and beating, with a background of sad music, and unforgettable words. Well, Miliana.

9. Escape

Can friendship turn into enmity, or does friendship remain despite differences? In the scene of the train by Ahmed Zaki and the artist Abdel Aziz Makhyoun from the innocent movie, each of them presents us with an idealistic picture of the friendship that did not transform despite everything. Their paths did not unite since childhood, one of them was an experienced adventurer of everything he wanted, while the other was following the usual path, as he was satisfied with his father's wishes.

"The end of the two roads is clear: You are an officer and I am a criminal," Zaki says in the scene. Are tried and tested methods safe, or roads that no one has ever used before? Can we afford the outcome of those choices?