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Aitana returned last night to El Hormiguero four months after the last time she was there. That time, Aitana went with what was then her partner, Miguel Bernardeu, to present the series La ultima, which they had made together. A few days later it was discovered that both had broken up, that they were no longer a couple and that throughout the promotion of the Disney+ series they had made their greatest interpretation, that of appearing to be together when they were no longer together. Last night I came back with many new things, with 'another' life, with another project, with another couple.

The artist went to El Hormiguero to put her long teeth on her new work. In two hours she had "a party", Alpha House, organized all by her and with only one premise, that her fans "do what they want", and the premiere of her new single, Los Angeles, of which Pablo Motos had the advance. There is no better place than El Hormiguero to promote yourself.

Going to El Hormiguero is the best advertising campaign that an artist can have access to, and if you have fun, they treat you like a queen or a king, then head on. Aitana is fully aware of this, so aware that despite being one of the top Spanish artists of the moment, whenever she goes to El Hormiguero it is as if it were the first time. Last night even more, because it was the first face-to-face interview he gave many times.

Whenever she goes, she is always nervous, as if she still does not believe that she is there, that she is the guest artist, that she goes because, as Pablo Motos often says, "it peta". That humility I talked about in the interview, that having your feet on the ground is probably what makes Aitana enter a crystal palace when she sits in front of Pablo Motos, when they play their new video clip, when the ants come out.

Aitana's nerves in El Hormiguero

Sweet, kind, loving, shy... Not one iota has changed in all the years that have passed since the first time he was with El Hormiguero back in 2018 with Ana Guerra and her Lo malo. It seems like yesterday, but it's been 5 years now. Now Aitana is 23 years old and Aitana's life is not that of that 18-year-old girl who left OT and hit the big firecracker. It has changed her life, but Aitana has not changed.

She continues to get as nervous as that first time, she keeps cutting and even turning red when there is a question or an answer that she knows will provoke a certain reaction in the public. Last night it happened to her twice, once because of a question from Pablo Motos and another because of an answer from her. Uncomfortable? With the first, yes, with the second, it was more his shame than anything else.

After telling the "party" that she had prepared in Gran Vía, after warming up the atmosphere ensuring that there were going to be many surprises that she could not tell, after confirming that Los Angeles premiered almost at the same time as the party began, Aitana did what the artists who go to El Hormiguero always do, Promoted.

Pablo Motos put a few seconds of that new video clip, in which Aitana enjoys a night of partying with friends, and the question could not be another: "The video clip is like a crazy night". "Yes, I'm 23 years old at the end and I've spent a lot of crazy nights with my friends." And Pablo Motos found the thread to pull to get to the question that Aitana did not even want to mention, the question in which a name came out, that of Sebastián Yatra.

Notice that yesterday in a magazine came the first photograph of both giving a kiss. That is, already more confirmed their relationship can not be confirmed. But no, Aitana didn't want to be asked about him, or about his relationship, or anything other than his song, his party and his new projects.

Already when he was with Miguel Bernardeu and Pablo Motos he asked them some questions about what their day to day was like, what it was like to work with your partner, the smile that Aitana always has turned into a nervous laugh that said much more than if she had answered. Last night the same thing happened, although this time Aitana cut for the healthy.

Sebastián Yatra, Aitana and El Hormiguero

Pablo Motos continued pulling the thread, little by little, unrolling the skein: "And now you can go out with your friends?" "Yes, of course, I do everything normal. I like to go through the center, there are days when I go quiet and nothing happens, and other days it gets messier, "he replied. Of course, there are days when you wear a mask to go calmer. At that moment Pablo Motos could have asked the question he wanted to ask, the question in which Sebastián Yatra came out, but I expect one more question, that of what happens when he goes out at night. Let it be trusted.

"But it's different to go out at night, isn't it?" he was screaming at the lunge, and arrived: "Because if you go out Yatra and you it's like an ambulance and a fire engine came out." The camera did not capture the moment of the question and Aitana's face, but it was perfectly seen how the artist put her hands to her face, smiled, that nervous laugh she said before and recomposed herself with a "I was not going to get that".

Surely if this question is asked by Pablo Motos the first, second or third time Aitana went to El Hormiguero, Aitana's reaction would have been only to put her hands to her face, laugh and wait for her to flake, but not this time. Her response, although always accompanied by that sweetness and shyness that characterize her, said much more than just an "I wasn't going to get that."

I bet what you want that before the program started, in those moments that Pablo Motos shares with the guests in the corridors of the studios of El Hormiguero, Aitana should have warned him, he should have told him that, please, he did not ask him about Sebastián Yatra that he did not bring up the subject, but we must be fair, When Sebastián Yatra was on the show just a few days ago, Pablo Motos also asked the artist a couple of questions about Aitana, which the artist weathered better than Aitana.

I'm not saying that Aitana didn't know how to get out of the 'trap', but her shyness, her less boards provoked a very different reaction to Yatra's. Aitana's point was to react and, although she does not want to talk about her private life or take Sebastián Yatra out is inevitable, they are one of the fashionable couples. The best thing would have been a 'what's up!' and something else butterfly. But he reacted quickly.

Aitana weathers the storm

When the colors came down from the bufflers and she recomposed herself from what she did not expect, Aitana continued. Just as when an actor loses the thread and the pointer gives him the entrance to refocus, Aitana regained his composure. She is no longer the girl of 2018, although it seems so. "It's true that when I go out with my friends it depends on which club we go to, it depends on where we go. I like to be with people. I do not like the reserved, but many times it is for security. The reserved one is not so cool," he continued.

Just as magicians do not get caught by the trick by putting the viewer's attention at another point, Aitana diverted her eyes to the other side, to the disco nights, to the reserved ones. And Pablo Motos, aware that he had had a hard time and that he had probably skipped the pact not to talk about Yatra, came out with his cape to tell that he did not reserve them either because he knows that the party is down and that the last time he was partying when he had the best time is when he had to go to the bathroom and saw the common mortals: "It's always the same, those at the bottom want to be at the top and those at the top want to be down."

Bad drink overcome. Aitana recomposed herself and returned to the interview without disheveling. He returned to talk about his projects, how he keeps his feet on the ground thanks to his family who always reminds him, he spoke again of that shame, of what it still costs him to approach a celebrity and that it is "very shameful", well "it depends on what things". And again the colors up and again Pablo Motos throwing a hood: "You leave people who will pass many things through their heads"

Aitana returned to focus on the Aitana facing the public. Just letting go into what she considered, that she had taken the theorist from the card that same morning or that she had gotten a tattoo of a soup because soup is her favorite dish. And he returned to send kisses to everyone, to his people, to his manager, to everyone. To Yatra? No, better not to ask.

According to The Trust Project criteria

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