Shi Wenjing

Recently, the urban drama "Spring Warm Sun", which exposed the chaos of traffic stars in the film and television industry, was broadcast, and the first few episodes have earned a wave of attention with topics such as "traffic stars buy awards", "hired water army marketing", "star hype CP", "Miss Digital" and "capital hard holding". Although domestic dramas expose the chaos and shady scenes of the industry, although the courage is commendable, if they just pile up these topics in a flashing light and carry out endless preaching, they may not be able to arouse the audience's goodwill and favor.

"Spring Warm Sun" is written by Wang Haiyu, Wang Daou, directed by Liu Jiacheng, Huang Zitao, Wu Gang, Sun Yi, Liu Bei starring urban emotional drama, this drama tells the story of the male protagonist Song Yang's "traffic transformation", but the play has a mountain of topics, blunt stories, strong lines and preachy, characters on the surface, and the originally very interesting things are filmed on the surface and mediocre.

At the beginning of the play, two heavy dramatic contradiction "bombs" were thrown. At an awards ceremony for a commendation performance, traffic star Song Yang, played by Huang Zitao, won the Best Actor Award, but Chen Jiangge, the award presenter played by He Bing, "disappeared" a moment before he appeared. Everyone knows that the old drama bones disdain to be with traffic stars such as Songyang, but the screams and shouts of fans drown out everything. The camera turned, in a Republican drama filming set, a father-daughter meeting scene, traffic actress Su Xiaotang used the wireless circulation of "two little bees, flying in the flowers" and "one-two-three-four-five-six-seven" to replace all the lines to film, and her scene made the actors present wait for four hours, including Jiang Ye, a powerful actor who has won many Best Actress Awards. Jiang Ye, played by Liu Bei, can only play a supporting role, and also has to cooperate with the arrangements of traffic actresses throughout the process. Jiang Ye, who couldn't bear it, stood up to uphold justice for everyone, criticizing Su Xiaodang for not having to say numbers and children's song lyrics on the spot if she spent her time picking jewelry professionally, and scolded her not only for having problems with her profession, but also with her professional ethics. Su Xiaotang educated a ginger leaf with his backhand: "In this circle, who is the first sister is the most popular; In this industry, appearance is justice, and the market is the last word; You have good acting skills, but there is no traffic and no one watches. Do you still want me to teach you? As a result, the role played by Jiang Ye was quickly written by the screenwriter and went offline.

After the actor Song Yang won the Best Actor Award in the play, the agent was busy signing him with variety shows, movies, advertisements and hype CP and enter the international film circle, but Song Yang only wanted to return to the drama troupe to make the drama "Father and Son", he felt that he was overdrawing his acting skills and could not be himself, and he also knew that he was not worthy of the position, and was afraid of being eliminated by the market soon. The agent kept obstructing, and Song Yang finally persuaded the agent to give him two months to rehearse the play. After the first drama conflict was resolved, the next dramatic contradiction in the plot turned out to be that Song Yang wanted to change the script and play the drama male number one, and Wu Gang's master and drama idiot Ding Kemang could only be reduced to a supporting role in the drama... However, the screenwriter may have forgotten that Song Yang had made it clear when he persuaded Master to act with him: "I was so eager to succeed that I lost myself in the face of fame and money." "In order to create contradictions and gimmicks, in order to pile up the topic of criticizing traffic stars, the screenwriter even threw away the logic of character motivation. The protagonist of Song Yang is not grounded, and even the character self-consistency in the play has disappeared.

In the play, Jiang Ye, played by Liu Bei, is responsible for the function of the audience's "mouth replacement", and at the beginning he scolded traffic actress Su Xiaotang for not talking about professional ethics and no professional ethics, seeing Song Yang who came to celebrate her husband Ding Kemang's birthday, he actually quoted scriptures to scold Song Yang and traffic stars for more than ten minutes, cursing the godfathers of traffic stars are bankrupt and depressed to death in prison, leaving them without cover, living on the streets and begging along the streets; The ironic male protagonist was a "cream boy" in the past, and he was "faceless" when he was older... There are many such bridge arrangements in the play that stimulate the audience, which have no effect on the promotion of the plot, that is, piling up topics and launching preaching. Although many viewers hate the bad acting skills of traffic stars in the entertainment industry, the occupation of resources, and the disturbing of the ecology in the circle, this kind of empty drama with only topics and no plot is not bought by the audience.

Instead of writing the lines so full, write a good story. The chaos of traffic stars in the play and the career dilemma of traffic stars are all spoken by lines, not cast by details. Song Yang felt that he was quickly overdrawn, feeling that the greater the flow, the more fame and fortune, the more empty, how was it overdrawn, how empty, the plot details were completely absent, it was just sitting there chatting with the agent to confess; Jiang Ye's character was written to death, she hated traffic stars, exposed a lot of chaos of traffic stars, how it was chaotic, there was no plot support, just sit there and "vent" her family and Song Yang "venting anger". There is no plot, only piled up didactic lines, don't blame the audience for criticizing awkwardly and suspended.

The theme of "Spring Warm Sun" is very good, but the creators only see the topicality and gimmicks of this theme, sacrificing the plot and characters, and there is not even a wonderful plot and characters to speak of, and there is no depth and strength to discuss the chaos of the industry, making a good theme a failure. The fact that domestic dramas dare to "poke themselves at the sore spot" is a highlight in itself, but it is really disappointing to shoot it so stiffly and suspended.