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Year 1968. Interview with two scientists on television.

The subject of debate, a hypothetical

massive fungal infection

that takes control of the human brain.

It could happen?

Without a cure, without preventive treatment, millions of people would be infected.

Joke from the presenter and laughter from the audience.

After all, that deadly fungus would need much higher temperatures to survive.

But... Yes, here we add that in 2023 we have just suffered a

pandemic

that we never imagined and

climate change

is a serious threat.

The laughs are over.

This is the starting point of the series that

HBO

premieres this Sunday and that is called to be one of the great releases of the year:

The Last of Us

, the television fiction adaptation of the famous video game that

Naughty Dog

developed a decade ago .

In reality, nothing in the approach of

The Last of Us

is new.

Apocalyptic scenario after an epidemic in which the few human beings that are left uninfected fight to survive and stay safe from the infected, who in this case take on the role of classic zombies.

Why not?

Now we know what

could

happen.

To know more

Premieres.

The series and movies coming to HBO Max in January 2023

  • Drafting: TRESB

The series and movies coming to HBO Max in January 2023

TV.

The return of HBO Max to Amazon: keys to an agreement that can change the history of the platforms

  • Writing: PABLO SCARPELLINILos Angeles

The return of HBO Max to Amazon: keys to an agreement that can change the history of the platforms

Regardless of whether or not the video game is known, it is inevitable to reread the new HBO series with post-pandemic eyes.

If the

Covid

was a dystopia that we lived in first person (what was it if not the confinement of humanity in their homes, the queues in the supermarkets of the first world or the curve of deaths and infections), the disturbing thing about

The Last of Us

is not they are his monsters.

It is how Craig Mazin

(

Chernobyl

) and

Neil Druckmann

, one of the creators of the video game,

confront the viewer with the dilemma of a credible collapse .

To understand each other, here there are no

zombies

that rise from the dead -needless to say that they have done so only in fiction-, but infected ones that could well be those of the coronavirus.

That they attack us in the form of mutant beings is already a license from the horror genre.

Even so, the

story that Joel and Ellie almost exclusively monopolize

is far from this record.

The same, by the way, as

The Walking Dead

, where the

zombies

are part of the

props

.

The real enemy is us.

In this sense, there is a parallel between

The Last of Us

and

The Walking Dead

, as there is between the HBO series and the movie

Contagion

.

In 2011, Steven Soderbergh was based on the influenza A pandemic, but the film put us back in 2020 before a mirror that was at least terrifying due to its resemblance to reality.

And if in

The Last of Us

the

Game of Thrones

actors

Pedro Pascal and Bella Ramsey

embark on a flight through a devastated United States (the performance of the twenty-something deserves a special mention, which will undoubtedly cause people to talk), we had already read something about that in Cormac McCarthy's post-apocalyptic novel

The Road

.

Also made into a movie, it recounts the journey of a father and a son through a world whose civilization has been practically annihilated.

This time, Joel is the traumatized father in charge of taking Ellie out of the quarantine zone, on a journey -also of introspection- that will put them to the test: against themselves and against the infected, whom they find in

places and totally video game aesthetic scenes

.

The path reveals in the subsoil a reflection on the different forms of human organization.

In other words,

what political system would be more valid in a dystopian and bunkerized society

, built on the pillars of pain and fear, where you have to empathize even with violence.

From the fascist dictatorship to communism -from the North American point of view-, going through a sect.

Of course, there is no lack of reference to the long-awaited capitalism that represents a shopping center in ruins.

After all, when everything around you falls apart, the greatest moment of happiness can be riding the horse of a rickety merry-go-round.

That is freedom.

But if there's no hope anymore, why go on, Ellie asks Joel.

"Because you have not seen the world."

According to the criteria of The Trust Project

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