• 2021 Spanish cinema continues its collapse into a new negative record despite the reopening of cinemas

  • 2020 The Covid sinks the Spanish movie box office to the worst record in history

  • 2019 Spanish cinema sinks while the global box office in theaters borders on glory

You have to travel to the not-so-remote past of 2014, when

'Ocho apellidos vascos'

was able to do everything, to find a similar record.

We are not talking about the raw box office, which still does not raise its head, but about the civilized box office.

That is to say, the percentage that the Spanish production free of pandemics occupies in the global ticket sales.

We are talking, to place ourselves, of the screen share, which, in reality, is more market share.

And that of 2022 is 22%, only three points less than the 25% record achieved eight years ago

by the hand of, in effect, the

'Eight surnames...'.

Let's say that due to the exceptionality of the year marked by the inauguration of a new cycle in which Spanish auteur cinema has been renewed by

the irruption of women, the normalization of new languages ​​and the presence in international festivals

are now joined by figures of the same, to say the least.

amazing.

Or just good.

Keep in mind that the long-awaited 20%, the limit of good health, has been reached on a few occasions.

Since 2010 only three times.

It was achieved in the aforementioned 2014. It was repeated in 2020 thanks to

'A father there is only one 2'

, but in a very poor context due to the confinements and other viruses.

And it is achieved right now in a recovery that is progressing at a slow pace, perhaps too slowly.

The 80 million raised by the Spanish production mean that 1 in 5 tickets sold have stayed at home.

Film collection in Spain

This is, so to speak, the first figure, the positive one, among some numbers with a slight tendency to worry.

It is already a fact that the year destined to be the year of recovery has not been.

Or not at all.

The global collection of Spanish cinemas with

'Minions: the origin of Gru'

(with almost 21 million collected) as king has remained at

360 million,

which is a little more than half of the

624 achieved in 2019

just before the pandemic.

If instead of taking the season prior to confinement as a reference, the accounts are made with the average of the last five years adp (before the pandemic)

, the balance remains 40% below.

All this according to the provisional figures offered by Comscore, the consultant in charge of registering the tickets sold.

Well, it is true that progress is being made.

It comes from a season, that of 2021, with a global of 245 million which in turn doubled the 170 accumulated when we were locked up.

As far as Spanish production is concerned, once again, progress is greater.

Much older.

It went from 42 million at the worst moment of COVID, in 2020, to a disastrous 40 (the year of reopening was pushed back) in 2021 to now reach 80 million.

Of course,

it is below the 100

that have been set as a reference since time immemorial and that has always been the barrier to beat, but, in a context like the current one, for now, it is almost unthinkable.

Among the ten most viewed films, with

'Avatar: the sense of water'

progressing to the top, two Spanish films.

And this is also something to take into account.

Along with the usual Santiago Segura who places the third installment of

'Padre no hay más que uno'

just behind

'Minions...'

and

'Jurassic World: Dominion'

and with a collection of

15 million,

would be

'Tadeo Jones 3' ,

by Enrique Gato, in third position (almost 12 million).

However, the highlight is located a little lower.

Because it is completely new.

The five million raised by

'Los renglones torcidos de Dios',

by Oriol Paulo, along with, for example,

'As bestas',

by Rodrigo Sorogoyen, or the 2.3 of

'Alcarràs'

, by Carla Simón, describe a year of opening and recognition by the public of films usually reserved for the very coffee growers, the most militant or the ordinary moviegoers, as you will.

"The outlook is one of slow recovery. Somewhat slower than what the experts predicted. Everything indicates that we will have to wait until 2024 to see the figures from which we came again. Keep in mind that, despite the platforms and despite everything "2019

was

an extraordinary year.

Going back there after everything that has happened to us is not easy," says David Rodríguez, general manager of Comscore Movies, the company in charge of counting box offices.

So things, and again, a good year for Spanish cinema despite everything and against everything.

According to the criteria of The Trust Project

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