• Nichevieja This is how the most unpredictable Chimes will be: what if Anne Igartiburu leaves with Ibai and Ramonchu?

Carmen Martín Gayte used

to say

that if she had learned anything in life it was "not to waste time trying to change the way others are".

It must be applied to

television

Christmas Eves.

Since I can remember, and it's been a few years now,

Christmas Eve

in my house or in my grandparents' house were always accompanied by

Telepasión

, by

Raphael

, by canned performances, by presenters of the moment giving way to artists of the moment. ... Television on

Christmas Eve

is melancholy at its best.

This time it was not going to be different.

The King's speech gives the starting signal so that, at the moment the coat of arms of Spain appears against that blue background accompanied by the anthem, uncles, nephews, brothers-in-law, parents, children and grandparents rise like a spring to take a place in table.

It is time to enjoy

Christmas Eve

dinner .

And while you're having dinner, obviously, who accompanies in the background like a tune, the

RTVE

workers and presenters on the historic

Telepasión

.

This year was not going to be different, like no other year that has been issued.

But that melancholy to keep the classics is both a tradition and a reflection of evolution.

Last night it was again.

Telepasión

is nothing more than great faces of the public channel covering great hits from yesterday, today and forever.

This year's, presented by

Ana Obregón

, who is already the queen of

Christmas

on

La 1

, and

Mario Vaquerizo

, was going to be the same.

Television changes little, but we do change.

Can you imagine that a decade ago a chest came out on a wagon chased by all the workers of the public entity?

No kidding.

Well now yes and it's wonderful that neither the brother-in-law, nor the brother, nor the uncle say anything.

That is what

Telepassion

reflects .

Which is the usual, of course;

that it seems that we will never change, of course;

that televisions on these dates do not complicate life either, too.

But it is that it is not a question of changing what they throw, it is a question of what they throw at us is what is now.

Thus,

last night's

Telepasión on

La 1

began with

Cayetana Guillén Cuervo

, a classic from

Telepasión

and

Elena S. Sánchez

singing

Ay, mamá

by

Rigoberta Bandini

, which became a phenomenon as a result of the first edition of the

Benidorm Fest

.

Anne Igartiburu was left without "chest out"

You are not going to think that either of the two took a chest out.

That would have already been the end.

But of the few who were out of the corner of their eyes watching television while the food was served and eaten, surely there was more than one who when he heard the "... sticking out a chest in pure Delacroix style",

sharpened the corner more just in case one of the two had gotten the gust

and they had fulfilled the complete show.

No, chest out nothing.

But in order not to appear outdated, nor retrograde, nor champions of censorship, it was decided to put a large papier-mâché chest in the tray of a car, while dozens of employees followed the car as if it were the carriage of the Magi, and the two actresses accompanied the chest which pages of the holy tit.

That to boot, although, without a doubt, it would have been a lot if

Rigoberta Bandini

's

Ay, Mama

had finally been performed by

Anne Igartiburu

alongside

Guillén Cuervo

.

It is that it was created for them, as confessed by the director and screenwriter

Juan Luis Iborra

, one of those responsible for

Telepasión

.

But no, Anne Igartiburu will neither be at the Chimes nor did she sing

Ay, Mama

last night .

There must have been a change of plans and they thought that why bother the queen of hearts more.

Better to leave him

Red Heels

, by

Sebastián Yatra,

which also suits him perfectly, along with

Jacob Petrus

and the headless bear from the Cadiz parade, and thus we avoid another batch of headlines, right?

Because who really watches

Telepassion

from minute one to 53, which is how long it lasted: nobody.

To see it for real, not to have the TV as one more diner who does not stop talking, but few listen to him.

Cayetana Guillen Cuervo and 'Oh, mom' on Telepasión.RTVE

And you think, what difference does it make if Telepasión

is on TV

or

Jesús Vázquez

with

Verónica Dulanto

and his

¡Viva la fiesta!

, or this is a compilation of the best performances of

Tú cara me suena

on

Antena 3

.

Well yes, the truth is that it doesn't matter, if every year since almost historical times is the same.

But not.

Although on these occasions television is a mere companion without any leading role, like your cousin's girlfriend who you know will not be there next year, it is that melancholy that makes television, especially

La 1

, continue to work on specials like the

telepassion

, although it smells like other times, and, of course, what came after, because what marks every

Christmas Eve

on television is what comes after.

And what came next is a tradition almost at the level of the Christmas lottery itself: the

Raphael

special .

It is impressive that in the memory of several generations, even in those who are now children,

Raphael

is and will be on

Christmas Eve

.

In 2021

RTVE

was unfaithful to him.

He changed it for a special from Ana Torroja, and not so bad, it was a gift for the eighties.

But it is that

Christmas Eve

without

Raphael

is almost not

Christmas Eve

, right?

Because when

Raphael

starts , dinner is almost over and moving on to nougats, cider and polvorones.

And when Raphael

begins,

the corners of the eye change to full eyes.

And when

Raphael

starts , the volume on the TV is turned up, and when

Raphael

starts , he wants to listen to the

Drummer

.

Raphael's is from another world

You may like it more or less, but the quality of

RTVE

's

Christmas

specials is incredible cannot be denied.

To Caesar what is Caesar's.

And, of course,

Raphael

's ability to continue to make

Christmas Eve

specials and manage to marry the classic with the modern, the old with the new, the grandmother with the grandson.

Accompanied by

Pablo López

, with whom he has prepared his new album

, Raphael

did not disappoint.

He surrounds himself with the cream of today's music and it was a sublime scandal.

Two performances above all: with

Nathy Peluso

and with

Mónica Naranjo

.

The first is to clap until your hands bleed;

the second, so that they fall directly.

Raphael

knows how to evolve, adapt, cover himself with the best.

Could it be a special of just him and nothing but him?

Well, obviously, like those of yesteryear, it is impossible.

The years don't pass for anyone, but it's still

Raphael

.

And what does he do?

What he knows how to do better than anyone, overcome any generational barrier, that

Raphael

is seen even by those who hardly know who he is, but they do know who

Nathy Peluso

,

Pablo López

,

Mónica Naranjo

is ...

Getting this every time you accept the

Christmas Eve

special is a real scandal.

Like the

Escandalo

that he sang with

Nathy Peluso

.

Please, whoever did not see it last night, surely there is more than one, to see it.

It's too short for you.

But if the performance with

Nathy Peluso

was sublime, the

one Nobody Knows

with Mónica Naranjo was... there are no words.

I don't care that the specials are canned, I don't care that

Raphael

almost always does, I don't care that later

RTVE

pulls what is now and

Morat

comes , I don't care if later the great karaoke of

Viaje al centro de la tele

starts , I It doesn't matter that every

Christmas Eve

the same thing is repeated no matter what channel you put on, but more on

La 1

.

You have to learn in life "not to waste time trying to change the ways of being of others."

And the TV on

Christmas Eve

does not need to be changed.

According to the criteria of The Trust Project

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