Nichevieja This is how the most unpredictable Chimes will be: what if Anne Igartiburu leaves with Ibai and Ramonchu?
Carmen Martín Gayte used
to say
that if she had learned anything in life it was "not to waste time trying to change the way others are".
It must be applied to
television
Christmas Eves.
Since I can remember, and it's been a few years now,
Christmas Eve
in my house or in my grandparents' house were always accompanied by
Telepasión
, by
Raphael
, by canned performances, by presenters of the moment giving way to artists of the moment. ... Television on
Christmas Eve
is melancholy at its best.
This time it was not going to be different.
The King's speech gives the starting signal so that, at the moment the coat of arms of Spain appears against that blue background accompanied by the anthem, uncles, nephews, brothers-in-law, parents, children and grandparents rise like a spring to take a place in table.
It is time to enjoy
Christmas Eve
dinner .
And while you're having dinner, obviously, who accompanies in the background like a tune, the
RTVE
workers and presenters on the historic
Telepasión
.
This year was not going to be different, like no other year that has been issued.
But that melancholy to keep the classics is both a tradition and a reflection of evolution.
Last night it was again.
Telepasión
is nothing more than great faces of the public channel covering great hits from yesterday, today and forever.
This year's, presented by
Ana Obregón
, who is already the queen of
Christmas
on
La 1
, and
Mario Vaquerizo
, was going to be the same.
Television changes little, but we do change.
Can you imagine that a decade ago a chest came out on a wagon chased by all the workers of the public entity?
No kidding.
Well now yes and it's wonderful that neither the brother-in-law, nor the brother, nor the uncle say anything.
That is what
Telepassion
reflects .
Which is the usual, of course;
that it seems that we will never change, of course;
that televisions on these dates do not complicate life either, too.
But it is that it is not a question of changing what they throw, it is a question of what they throw at us is what is now.
Thus,
last night's
Telepasión on
La 1
began with
Cayetana Guillén Cuervo
, a classic from
Telepasión
and
Elena S. Sánchez
singing
Ay, mamá
by
Rigoberta Bandini
, which became a phenomenon as a result of the first edition of the
Benidorm Fest
.
Anne Igartiburu was left without "chest out"
You are not going to think that either of the two took a chest out.
That would have already been the end.
But of the few who were out of the corner of their eyes watching television while the food was served and eaten, surely there was more than one who when he heard the "... sticking out a chest in pure Delacroix style",
sharpened the corner more just in case one of the two had gotten the gust
and they had fulfilled the complete show.
No, chest out nothing.
But in order not to appear outdated, nor retrograde, nor champions of censorship, it was decided to put a large papier-mâché chest in the tray of a car, while dozens of employees followed the car as if it were the carriage of the Magi, and the two actresses accompanied the chest which pages of the holy tit.
That to boot, although, without a doubt, it would have been a lot if
Rigoberta Bandini
's
Ay, Mama
had finally been performed by
Anne Igartiburu
alongside
Guillén Cuervo
.
It is that it was created for them, as confessed by the director and screenwriter
Juan Luis Iborra
, one of those responsible for
Telepasión
.
But no, Anne Igartiburu will neither be at the Chimes nor did she sing
Ay, Mama
last night .
There must have been a change of plans and they thought that why bother the queen of hearts more.
Better to leave him
Red Heels
, by
Sebastián Yatra,
which also suits him perfectly, along with
Jacob Petrus
and the headless bear from the Cadiz parade, and thus we avoid another batch of headlines, right?
Because who really watches
Telepassion
from minute one to 53, which is how long it lasted: nobody.
To see it for real, not to have the TV as one more diner who does not stop talking, but few listen to him.
Cayetana Guillen Cuervo and 'Oh, mom' on Telepasión.RTVE
And you think, what difference does it make if Telepasión
is on TV
or
Jesús Vázquez
with
Verónica Dulanto
and his
¡Viva la fiesta!
, or this is a compilation of the best performances of
Tú cara me suena
on
Antena 3
.
Well yes, the truth is that it doesn't matter, if every year since almost historical times is the same.
But not.
Although on these occasions television is a mere companion without any leading role, like your cousin's girlfriend who you know will not be there next year, it is that melancholy that makes television, especially
La 1
, continue to work on specials like the
telepassion
, although it smells like other times, and, of course, what came after, because what marks every
Christmas Eve
on television is what comes after.
And what came next is a tradition almost at the level of the Christmas lottery itself: the
Raphael
special .
It is impressive that in the memory of several generations, even in those who are now children,
Raphael
is and will be on
Christmas Eve
.
In 2021
RTVE
was unfaithful to him.
He changed it for a special from Ana Torroja, and not so bad, it was a gift for the eighties.
But it is that
Christmas Eve
without
Raphael
is almost not
Christmas Eve
, right?
Because when
Raphael
starts , dinner is almost over and moving on to nougats, cider and polvorones.
And when Raphael
begins,
the corners of the eye change to full eyes.
And when
Raphael
starts , the volume on the TV is turned up, and when
Raphael
starts , he wants to listen to the
Drummer
.
Raphael's is from another world
You may like it more or less, but the quality of
RTVE
's
Christmas
specials is incredible cannot be denied.
To Caesar what is Caesar's.
And, of course,
Raphael
's ability to continue to make
Christmas Eve
specials and manage to marry the classic with the modern, the old with the new, the grandmother with the grandson.
Accompanied by
Pablo López
, with whom he has prepared his new album
, Raphael
did not disappoint.
He surrounds himself with the cream of today's music and it was a sublime scandal.
Two performances above all: with
Nathy Peluso
and with
Mónica Naranjo
.
The first is to clap until your hands bleed;
the second, so that they fall directly.
Raphael
knows how to evolve, adapt, cover himself with the best.
Could it be a special of just him and nothing but him?
Well, obviously, like those of yesteryear, it is impossible.
The years don't pass for anyone, but it's still
Raphael
.
And what does he do?
What he knows how to do better than anyone, overcome any generational barrier, that
Raphael
is seen even by those who hardly know who he is, but they do know who
Nathy Peluso
,
Pablo López
,
Mónica Naranjo
is ...
Getting this every time you accept the
Christmas Eve
special is a real scandal.
Like the
Escandalo
that he sang with
Nathy Peluso
.
Please, whoever did not see it last night, surely there is more than one, to see it.
It's too short for you.
But if the performance with
Nathy Peluso
was sublime, the
one Nobody Knows
with Mónica Naranjo was... there are no words.
I don't care that the specials are canned, I don't care that
Raphael
almost always does, I don't care that later
RTVE
pulls what is now and
Morat
comes , I don't care if later the great karaoke of
Viaje al centro de la tele
starts , I It doesn't matter that every
Christmas Eve
the same thing is repeated no matter what channel you put on, but more on
La 1
.
You have to learn in life "not to waste time trying to change the ways of being of others."
And the TV on
Christmas Eve
does not need to be changed.
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