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What do global icon

Kim Kardashian

and Colombian Vice President

Francia Márquez have in common?

His enormous fondness for the tracksuit.

More specifically, his fondness for taking it out of context, even if it is in two radically opposite ways.

In the case of Kardashian, the area in which she has been a long, long time (she is the

goddess of Athleisure for a reason)

'transgressing' the norm is fashion.

Already in 2016, she had walked around Paris, to the great

scandal

of aesthetes, with a

lingerie body and

Adidas

tracksuit pants

with open outer sides.

Kim Kardashian loves the tracksuit, but she is not willing to adapt to it, quite the opposite.

In the case of the

Vice President of Colombia,

Francia Márquez, the context was a

meeting

in early November with the

Colombian consul

at the latter's residence in Cairo (Egypt).

Márquez wore a white tracksuit that caused a great scandal in networks and generated a wave of protest messages that not even

Yes is Yes.

It was criticized that it was

inappropriate

for her to attend a meeting of this type dressed in such an informal way and circumscribed to the sphere of sports or the private sphere.

He was reproached for not following the

etiquette of politics

and it was even suggested that by doing so, Márquez was assimilated with other famous Latin American politicians for not taking off his tracksuit or to see the Pope like

Fidel Castro

(who, literally, was seen with the

Francisco

in this way),

Hugo Chaves

or

Nicolás Maduro,

famous for turning this sports garment into a star tool of political propaganda (we already talked about the corduroy jacket at another time).

Although much earlier, it must be said, the icon of world peace

Nelson Mandela had done it.

Why the misplaced tracksuit bothers us so much

Although, as the expert collaborator of Yo Dona

Marina Fernández repeats over and over again,

the protocol is not an immovable rock but rather it adapts to the times, the truth is that to this day it still makes us uncomfortable to see someone who

'is out of tune'

with their way of dressing at an event, because we 'read' the situation in terms of

social empathy.

Dressing according to what is expected, within a range of guidelines, is a show of

respect for the group.

So if you break that guideline, you are disrespectful.

Filmmaker and fashion expert

Katja Eichinger

goes deeper into this thorny subject in his book 'Fashion and other neuroses' (Plankton Press).

"Clothes always have a symbolic component, [...] evident and ambiguous at the same time.

Good taste

is supposed to free us from this ambivalence. It is supposed to guarantee us to be attractive and protect us from ridicule. Good taste wants to set the way we understand things," he writes.

And he recounts one of the first cases we have of

global anger

for introducing a sports garment in a formal situation.

It happened in 1985, when the German

Joschka Fischer,

from the Green party, chose to wear

Nike shoes

to be

sworn

in

as Foreign Minister,

thereby unleashing a wave of national indignation.

Joschka Fischer (in the center), on December 12, 1985, the day he was sworn in as Foreign Minister in sneakers.GETTY IMAGES

"His sports shoes were the symbol of contempt for the previous social order," explains the author.

And she later clarifies: "A

dress code,

etiquette, is always a

symbolic social contract

that has a high emotional charge."

The system, she says, "punishes those who ignore that contract."

Like Francia Márquez, in our case.

And, less harshly, but also,

Maisy Biden,

the granddaughter of the current US president,

Joe Biden.

That she appeared in Madrid in June, at a public event during the NATO summit, together with

Queen Letizia,

in a

sweatshirt

and

espadrilles

, generated multiple headlines.

Much more than the act in question, in fact.

Maisy Biden in Madrid last June, in espadrilles and a sweatshirt, with US First Lady Jill Baiden and Queen Letizia.GETTY IMAGES

The tracksuit of discord and what would hide its comfort

The appearance of Francia Márquez in a tracksuit during her visit to the Colombian consul in Cairo

cannot be compared with that of Joschka Fischer in 1985 to be sworn in as minister in Germany.

The situation is completely different and the historical context too.

In both, there is a

challenge

that in the case of the German was clearly voluntary and in the case of Francia Márquez probably not (which does not minimize it; if it seems pertinent to her to go in a tracksuit to visit consulates, she is already positioning herself ideologically as well).

For those who think that the issue is not such a big deal -because, as Katja Eichinger explains, "fashion is rarely taken seriously and, when it is, it is to pose it as a problem"- it should be noted that the discussion about Márquez's tracksuit It has become

a debate with ideological overtones,

where the attacks received by Márquez from politicians and Internet users have ended up being interpreted in terms of

racism and sexism.

The

tracksuit

would be a garment closely linked to the Colombian

popular classes

, to the lowest paid jobs, such as that of a

domestic worker,

almost always carried out by Afro-

descendant women.

If Márquez was aware of the above, of the 'subversive' of her choice of outfit that day, and following Eichinger, she would have chosen some garments that would fulfill what for the German is the

ideal of women's fashion,

"a fashion that protects from the horror of being misconstrued as victims. As weak and repressible beings."

Come on, I would have chosen it for

empowering.

She has not said anything about it, so we will stay, at least for now, with the desire.

In short, in the end it will turn out that the clothes you decide to wear are not as harmless as they seem.

As Eichinger gathers from

Paola Antonelli,

curator of design and architecture at MoMA in New York,

"fashion,

like design, is

almost always political,

because it concerns our coexistence as a community. It can be something very subtle and, in what regarding the political significance of an article of clothing, it always depends on the context".

The famous context.

According to the criteria of The Trust Project

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