The best series of the week: 'I don't like driving', the total comedy

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I'm so into

that I don't know if the series is good or bad.

You could be losing your mind, I warn you.

Sometimes it happens: I never felt the protagonists of

as my friends, I never considered them mine, but I did consider Don Draper from

, the Fisher brothers from Six

or Elijah from

when, ignored by his celebrity lover (Corey Stoll in one of the most perfect casting decisions ever), plunders the expensive creams that this one has in the bathroom of his stomp.

with a character for life.

With a character and with a series.

Something like this happens to me with Pablo, the protagonist of

.

Pablo is me and his series is my series

to be able to judge clearly.

Played by Juan Diego Botto, the repellent university professor who hides his complexes and traumas behind a mask of cynicism and coldness is the center of a series that, like all good comedies, talks about serious things.

Recently separated from Iria (Leonor Watling), Pablo

.

The metaphor is obvious: I have pending things for a long time.

It's also perfect.

Borja Cobeaga, creator of

, is one of Spain's most gifted directors and screenwriters.

.

In his new series, an original from the TNT channel, he does without Diego San José, his usual sidekick, and surrounds himself with other very different scriptwriters: Valentina Viso, Diana Rojo, Borja Glez.

Santaolalla, Mar Coll and Juan Cavestany.

A

of

that he leads to build a series that seems (and this is good) written with a single, clear and sincere voice.

With its untrammeled appeal to nostalgia and bitterness, I Don't Like Driving is exciting and fun.

Tender and cynical, salty and sweet.

Pablo, believing that his separation from Iria has just begun (and that it may be reversible) when

, it's you.

I would strategically measure the distance with hers and you are ex hers.

And that driving instructor who steals the show every time he appears is the driving instructor of an entire generation.

Played by a David Lorente beyond any praise, Lorenzo is, as he rightly says, much more than a driving school teacher.

A character that is a concept and a plot and a twist and is the soul of a series that I don't know if it's good or bad because I'm already too inside to have the criteria intact.

But

.

We should get out of Pablo and Lorenzo's car so we can judge them better, but we're too happy in here.

According to the criteria of The Trust Project

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