[Explanation] The dance "Lady with Hairpins" based on "Picture of Lady with Flowers" was created and performed by Shenyang Song and Dance Troupe (hereinafter referred to as "Shenyang Song and Dance Troupe") of Shenyang Public Cultural Service Center (Shenyang Cultural Performing Arts Center) , on November 20th, on the stage of CCTV's large-scale cultural program "Poetry and Painting China", he made a painting into a dance, and became popular as soon as he appeared.

15 dancers performed the Millennium National Treasure vividly and vividly, leading the audience across time and space to feel the charm of the Tang Dynasty.

A few days ago, the reporter walked into the rehearsal field of Shenyang Song and Dance Troupe to witness the dancers' training scene and learned the story behind the dance.

　　[On-site synchronization]

　　[Concurrent] Zhang Xing, associate professor of Beijing Dance Academy, choreographer and director of the dance work "Lady with Hairpins"

　　As far as dance is concerned, dancers speak directly to people's hearts. This is an advantage of the dance art form. How to use this advantage to express culture is a difficulty.

For the inheritance and creation of classical dance, adjacent arts such as painting and sculpture provide us with a lot of research directions and references. The idea of ​​this dance creation is to follow the cultural basis. The resources of traditional culture are used to create advantages, so as to reshape contemporary society, and try to make cultural relics dance in the creation of art, showing beauty with dance.

　　[Explanation] The "Picture of Ladies with Hairpin Flowers" now in the Liaoning Provincial Museum is a national first-class cultural relic. It depicts the situation of ladies in the Tang Dynasty enjoying flowers and visiting gardens.

In order to better restore the charming charm of the thousand-year-old famous paintings, the Shenyang Song and Dance Troupe specially invited choreographer Zhang Xing from Beijing to create and guide.

Zhang Xing introduced that the choreography of the dance uses the dance language of Chinese Han and Tang classical dances, and puts historical allusions into it, in order to outline a moving and beautiful image.

　　[Concurrent] Zhang Xing, associate professor of Beijing Dance Academy, choreographer and director of the dance work "Lady with Hairpins"

　　"Smell the fragrance to know people" is an allusion I put in it. In the original painting, there is a detail of picking up a butterfly. The butterfly is used to smell the fragrance and falls into the hands of a lady, and then the butterfly flies to the (lady's) shoulder, attracting A beautiful scene of all the ladies fluttering and playing like this.

There is also a detail in the original painting. There is a lady in the middle holding a flower in one hand and a golden hairpin in the other. Because of the age of the painting, it is not easy to see this place in the original painting. I also designed this detail in the work.

I think the details of life can best reflect their temperament, so through these small details, it can also show and show a kind of aesthetic style of Datang.

　　[Explanation] In the early stage of rehearsal, the main creative team led the actors to read Tang Dynasty poems and songs, record reading notes, hold reading sharing sessions every day, appreciate "Picture of Lady with Hairpin Flowers" and representative paintings and sculptures of Tang Dynasty, and print related content into The pictures were posted in the rehearsal hall, allowing the actors to immerse themselves in the aesthetic cultural atmosphere of the Tang Dynasty.

At the same time, experts from the Liaobo Museum were invited to conduct multiple trainings for the actors to further understand the culture of the Tang Dynasty and the connotation of "Ladies with Hairpin Flowers", so that the actors could better interpret the unique posture and charm of the ladies in the Tang Dynasty in the painting.

　　[Concurrent] Dancer Li Meiqi

　　I especially like the lady with the butterfly on her hand in this painting. (I) will study her expression at that time and what kind of psychology she was at that time.

A lot of their beauty at that time was the kind of inadvertent beauty, which radiated from the inside out, so when I danced, I would adjust my emotions first, as if I had really entered the painting, I hope Present it at its best.

　　[Concurrent] Dancer Zheng Haiyan

　　The highest standard of figure painting is vividness. What we pursue is her sense of nature, as well as her emotion, the kind of emotion conveyed by her eyebrows, to be expressed in our body, every gesture, every gesture, to express ( Out) their kind of grace and luxury at that time.

　　[Explanation] Continuing the tradition and refining the characteristics of the times are the concepts that the main creative team insists on.

In terms of styling, each actor will wear 4 to 5 wigs on his head to restore the image of the characters in the painting to the greatest extent.

With towering cloud temples, "moth-winged eyebrows" piercing upwards, and small red lips, the dancer after modeling is like a graceful lady who has traveled through time.

Zhang Xing introduced that in terms of clothing design, the main creative team refined the most representative colors and patterns after combing and researching, and the fabrics were light and "creamy" to achieve an air-like sense of flow.

The dance soundtrack is also tailored according to the dance.

　　[Concurrent] Zhang Xing, associate professor of Beijing Dance Academy, choreographer and director of the dance work "Lady with Hairpins"

　　This time, the famous composer Mr. Zhang Yima (composer) was invited. The dance music is a Chinese seven-tone feather mode with a melody of changing the tone.

As for the orchestration, Chinese folk music such as Guzheng, Pipa and Dizi are used to play an important role. In addition, string bands, percussion and some electronic music are also included in it, hoping (to be) dignified and elegant without losing the meaning of fashion.

　　[Explanation] It is understood that the dance "Lady with Hairpins" has previously won the 13th Chinese Dance "Lotus Award" Classical Dance Liaoning Trials and the 9th Liaoning Dance "Lotus Award" Gold Award, and was shortlisted for the 13th Chinese Dance "Lotus Award" Award" National Finals of Classical Dance.

Next, Zhang Xing will continue to lead the actors to further polish, improve the quality and standard of dance works, and strive to achieve better results in the finals.

　　Reported by Wang Yilin from Shenyang

Editor in charge: [Ji Xiang]