Chinanews.com, Hangzhou, November 25th (Tong Xiaoyu Wu Yalan) A large transparent screen, when you touch it lightly with your hand, a Song painting will slowly smudge at your fingertips, and the landscape, flowers, birds, pavilions, pavilions and pavilions are spread out in succession. In front of us... On November 25th, the special exhibition "Path of EMI——Reading Song Rhyme with Joy" opened in Hangzhou, Zhejiang.
More than 300 exhibits, such as the engraved edition of the Song Dynasty "Compendium of Zizhi Tongjian", some color-colored proofs of Song paintings collected in the "Great Collection of Chinese Paintings of Past Dynasties", and samples of Song Dynasty inscriptions, were exhibited on site, leading the audience to travel through time and "joy" to read Song Yun.
Song Yun culture is an important cultural symbol with Chinese style and Zhejiang recognition.
The exhibition is divided into three sections.
Among them, the "Millennium Danqing" section exhibited more than 200 published proofs of fine Song paintings collected in the "Great Collection of Chinese Paintings of Past Dynasties", including Li Cheng's "Qing Luan Xiao Temple Picture" and Zhao Ji's "Bamboo and Bird Picture" and other handed down "National Treasure" level painting treasures.
Miao Zhe, the curator of this exhibition and a professor at the School of Art and Archeology of Zhejiang University, said that the landscape paintings of the Song Dynasty had achieved exceptionally brilliant achievements, and the "monumental" landscape paintings of the Song Dynasty are the precious wealth of human cultural heritage recognized by the international academic circles.
And in the second section "Engrave the past and pass on the present", Miao Zhe said that it can be explored carefully with a magnifying glass.
The treasure of the town hall of the Zhejiang University Library is exhibited here-the fifty-nine volumes (forty-five volumes) of the engraved edition of "Zizhi Tongjian Compendium" in Song Dynasty.
Photo by Tong Xiaoyu at the exhibition site
As one of the most prosperous periods in Chinese cultural history, the Song Dynasty created many peaks, among which was the Song edition.
The engraved edition exhibited this time was published by Zheng Yin, a famous bibliophile in the Southern Song Dynasty, who donated his salary when he was the magistrate of Jizhou (Luling). It is called Luling version.
"The Luling edition is rare, and there are only fifteen volumes left." Cheng Huixin, associate research librarian of the Ancient Books and Special Collections Department of the Zhejiang University Library, said that this book was originally collected by Mr. Yuan Di'an, a famous industrialist and ancient book collector.
In 1986, Yuan Shaowen and Yuan Shaoliang, descendants of the Yuan family, donated 296 volumes of 31 volumes of Song, Yuan, Ming and Qing rare books in 21 categories to Zhejiang University.
Opening this volume of engravings that have been handed down for nearly a thousand years, we can see that there are many dots on it, as well as Tibetan seals such as "Zhu Sheng's Seal", "Kang Sheng" and "Yuan Shaoliang Seal".
If you look at it with a magnifying glass, you will find that the ink color is very uniform, neither white nor too dark, everything is just right.
Also on display are the ancient books of the Song and Yuan Dynasties collected by Zhejiang University, some varieties of the "Two Songs and Zhejiang Carvings Series" published by Zhejiang Ancient Books Publishing House, and some sample manuscripts of Zhang Zongxiang's Song Dynasty books collected in the "Tie Ruyi Museum Manuscripts Series".
When it comes to the engraving industry in the Song Dynasty, we have to mention "Chunhua Pavilion Tie", the crown of ancient Chinese engraving posts.
"Chunhua Ge Tie" was written in the third year of Song Taizong's Chunhua. It is divided into ten volumes. Volume 1 is the emperor's book, volume 2 to 4 is the book of famous ministers, volume 5 is the ancient scriptures of various families, and volume 6 to 8 is the Wang Xizhi's book, volumes 9 to 10 are Wang Xian's book, with a total of 103 calligraphers and 420 ink marks.
"Chunhua Ge Tie" represents the pinnacle of mechanical reproduction of ancient Chinese images.
This exhibition exhibits two kinds of "Ge Tie" which are being photocopied and published by Zhejiang University Publishing House.
One of them is the very precious "Guozi Jianben" from the early Southern Song Dynasty.
This version is treasured in two different cultural and museum institutions at home and abroad. Although it belongs to the same source, it is difficult to see each other.
When the team of Zhejiang University's "Great Department of Chinese Painting in Past Dynasties" compiled the "Great Department", Song Tuo's "Chunhua Pavilion Posts" collected in the Shanghai Museum and the Freer Museum of Art in the United States were collected into a complete book, making this deep The ancient engravings of Song Yun buried for thousands of years have to shine in the prosperous age.
Zhang Yulin, deputy director of the Chinese Ancient Painting and Calligraphy Research Center of Zhejiang University, said: "This year happens to be the 1030th anniversary of the engraving of "Chunhua Ge Tie". Two kinds of "Ge Tie" are photocopied and published. The history of the evolution of calligraphy further promotes traditional Chinese culture."
It is understood that this exhibition is held at the Art and Archeology Museum of Zhejiang University and will be open to the public from November 25.
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