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Jeff Bridges was one of the few movie stars who had not been seduced by the series.
By the series of now, it is understood, because like so many other myths of the big screen, Bridges began in the small one, specifically in Underwater Investigator, a series by his father, Lloyd Bridges.
Then Jeff's career was pure Hollywood and the rest is history.
Now, after a well-deserved but belated Oscar for Wild
Heart
, the magnificent
Comanchería
, and his part in the extremely rare
Bad Times at the El Royale
, Jeff Bridges is finally starring in a series:
The Old Man
.
He has done it in living legend terms, pulling in a
near-record salary .
, but also at the orders of two creators who are not going to say that "this is not a series, it is an episodic film".
Jonathan E. Steinberg and Robert Levine, creators of
The Old Man
are TV men.
Their names are in scripts for series like
Black Sails, See
or the highly cult
Jericho
.
They are neither prestigious filmmakers seduced by a platform nor great promises from Sundance and Locarno who, thanks to the juicy checks paid by TV, will be able to maintain their high standard of living in Los Angeles while they manage to start their next provocative film.
These two archetypes are dangerous, because that's where some of the most failed series of recent times come from.
.
Hiring purely television scriptwriters (what's more: purely television and very commercial) detracts from the glamor of a series and, above all, of its promotional campaign, but it also avoids certain problems derived from the ego of certain spoiled children of film festivals.
It is also true that neither Steinberg nor Levine have hits on the resume.
It is also true that
they have never had someone with Jeff Bridges in their projects
.
The Old Man
knows that not only will you call his main character Jeff Bridges, but when you talk about the series you will call it the Jeff Bridges series.
Those responsible for him are well aware of this and play it, making the most of his investment in a Hollywood icon.
Both the various directors of the seven episodes and Sean Porter, director of photography, remind us
why there was a time when a producer saw a face and talent like that and wouldn't let go
.
If you don't trust them, pick up
The Last Movie, King Kong
or
The Fabulous Baker Boys
.
THAT is a star.
Now the star is in his seventies, but
The Old Man
is precisely about that: having been and no longer being but still being.
In the Steinberg and Levine series, available on Disney+, Jeff Bridges is a former CIA officer who
lives semi-hidden, running from a badly buried past
.
You guessed it: someone digs it up and there begins a game of cat and mouse in which the concepts are mixed.
Jeff Bridges' series takes a while to get going, but once he shows his cards it works like a charm and is a lot less conventional than it seems.
When TV knows how to take advantage of a gold star, we all win.
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