Chinese painting originated in the Han Dynasty and is a traditional Chinese painting form.

　　It is usually painted on silk or paper with a brush dipped in watercolor and ink.

　　Landscape painting is one of the important subjects of Chinese painting.

　　The wise enjoy mountains, the benevolent enjoy water,

　　The literati used the natural scenery of mountains and rivers to express their feelings,

　　Integrate emotions into the beauty of nature,

　　Expressed through artistic means.

　　There are many schools of Chinese landscape painting.

　　According to the style of painting, it is divided into blue-green landscape, golden and green landscape, ink landscape and so on.

　　Song Dynasty painter Wang Ximeng's "A Thousand Miles of Rivers and Mountains" is the representative of green landscapes.

　　He was only 18 when he created this painting,

　　There is a youthful spirit in the mountains and rivers.

　　The painting is drawn on a whole piece of silk,

　　The total length is 11.2 meters.

　　If it is said that "A Thousand Miles of Rivers and Mountains" is pinned on the ambitions of young people,

　　Then "Fuchun Mountain Residence" precipitates the life insights that have gone through the vicissitudes of life.

　　The painter Huang Gongwang experienced ups and downs in his life,

　　In the later years, the changes of life and nature are in the pen,

　　It took seven years to make "Fuchun Mountain Residence",

　　Long rivers, flowing through shallows, rapids, peaks,

　　In the end, the prosperity is over, and the blank space is the background of life.

　　Chinese landscape painting is like a magnificent symphony composed of ink and wash.

　　The mountains stand up, the scenery stops,

　　One stroke at a time, painting the beautiful mountains and rivers of China.

　　Jointly produced by China News Network and Communication University of China

　　Seller: Yu Lan

　　Chief planner: Hu Fangmengqun

　　Producer: Qin Yuming, Wu Qingcai, Qi Bin

　　Editor's guide: Zhou Xiaomeng, Sun Hongliang, Wang Jingwen, Zhao Xijing, Bai Xiaoqing

　　Editorial team: Li Yiying, Cao Hangyu, Qu Shen, Chen Chao, Xu Shaohang, Wang Yifeng, Liu Qi

　　English translation: Tang Xuan

　　English translation reviewer: Mo Hong'e, Zhao Li

　　Coordinator: Wang Kai, Zeng Nai

　　Editor: Wang Ning

Responsible editor: [Lu Yan]